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SERPENT LOOP

An often engaging novel with a perceptive protagonist but uneven characterization.

After witnessing a stabbing at a carnival, a man goes to great lengths to protect his sister, who knew the victim, in this thriller sequel.

Twenty-six-year-old Zane Clearwater isn’t having an easy time raising his 15-year-old sister, Lettie. He works a maintenance job at the zoo as well as a summer job at the carnival to be able to afford the rent for their two-bedroom apartment. A fight breaks out between two inebriated men at the carnival, resulting in one of them getting stabbed; the perpetrator flees, and as the victim lies bleeding, he calls out Lettie’s name. She tries to comfort him, but he dies in an ambulance. Later, when Zane asks his sister about the dead man, it’s clear that she’s hiding something that truly scares her. When the killer pays a visit to their home, Zane understands that his sibling could be the next to die. He pulls her from her class at school and takes her to their grandmother’s place, but before long, the girl goes missing, and Zane must work together with Lettie’s boyfriend, Angel, to find her and bring her home. Lipinski, who wrote Bloodlines(2015), returns with a gripping and well-paced follow-up. The novel offers action from the get-go and then paints a vivid picture of the relationship between Zane and his sister. He’s clearly shown to be traumatized by his past, in which his father killed his mother, but he cares deeply for his similarly scarred sibling and does everything he can to provide for her; he lacks a support system but does his best with what he’s given. But although his perspective is clear, readers may wish that the novel offered more of Lettie’s side of the story and provided more insight into the siblings’ relationship. Indeed, readers only get glimpses of Lettie’s personality, which keeps her from truly coming alive on the page.

An often engaging novel with a perceptive protagonist but uneven characterization.

Pub Date: Oct. 18, 2021

ISBN: 978-0-9964676-8-1

Page Count: 216

Publisher: Majestic Content Los Angeles

Review Posted Online: Oct. 13, 2021

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LOCK EVERY DOOR

Lacking in both thrills and chills.

Another homage to classic horror from a bestselling author.

Sager’s debut novel, Final Girls (2017), wasn’t so much a horror novel as a commentary about horror movies in novel form. It was clever but also very well-crafted. The author tried to do something similar with The Last Time I Lied (2018), with significantly less satisfying results. This new novel is another attempt to make the model work. Whether or not it does depends on how invested one is in formula for the sake of formula. Jules Larsen is getting over a breakup and the loss of her job when she finds a gig that seems too good to be true: The Bartholomew, a storied Manhattan building, wants to pay her thousands of dollars to simply occupy a vacant—and luxurious—apartment. Jules soon gets the feeling that all is not as it seems at the Bartholomew, which is, of course, a perfect setup for some psychological suspense, but the problem is that there is little in the way of narrative tension because Jules’ situation is so obviously not right from the very beginning. While interviewing for the job, she's asked about her health history. She's informed that she is not allowed to have guests in the apartment. She's warned that she must not interact with or talk to anyone else about the building’s wealthy and famous inhabitants. And she learns that she will be paid under the table. While this might not be enough to deter someone who is broke and desperate, it does mean that Jules should be a bit more concerned than she is when the really scary stuff starts happening. It’s possible to read this as a parody of the absurdly intrepid horror heroine, but, even as that, it’s not a particularly entertaining parody. Jules’ best friend makes a reference to American Horror Story, which feels less like a postmodern nod than a reminder that there are other, better examples of the genre that one could be enjoying instead.

Lacking in both thrills and chills.

Pub Date: July 2, 2019

ISBN: 978-1-5247-4514-1

Page Count: 384

Publisher: Dutton

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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