A young girl named Chloe is reluctant to enjoy Christmas because of her beloved grandmother’s recent death in this bittersweet, well-told story. As part of their family holiday celebrations, Chloe’s grandmother created handmade Christmas ornaments that she called “thingamajigs,” and she and Chloe would decorate the tree and then dance around it together. Chloe is understandably sad and tries not to participate in the Christmas preparations, but her understanding grandfather patiently and wisely talks to her over several days, helping her to remember and honor her grandmother and their special traditions. In a sweet conclusion, Chloe and her grandpa dance a “thingama-jig” around the tree together. While making effective use of the powerful emotional setting of a family Christmas celebration, Manuel’s (Lucy Maud and the Cavendish Cat, not reviewed, etc.) gracefully told story transcends the holiday genre, as this could be a valuable work at any season for anyone (including adults) who has lost a parent or grandparent. Benioff, in her first work for children, does a fine job of bringing the characters to life, especially Chloe. Her jewel-toned paintings of the present contrast with sepia-toned illustrations that recall fond memories of earlier days with Grandma. The spreads that include both timeframes connect gracefully through various shared connecting devices: open doors, an old tree with spreading branches, or an open window, linking the past to the present. (Picture book. 5-10)
Pub Date: Sept. 1, 2002
ISBN: 0-525-46120-5
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
BOOK REVIEW
BOOK REVIEW
A charming contemporary story with a classic feel.
A 10 ¾-year-old girl weathers changes in her social circle—and her sense of self.
Dubbed “Queen of the Neighborhood” by beloved neighbor Mr. Chapman, who has sadly left Maryland for balmy Florida, Zara is apprehensive when a family with two kids moves into his house, potentially upsetting the delicate social balance. Readers familiar with Khan’s Zayd Saleem, Chasing the Dream books, set a few years after this series opener, will recognize the bustling Pakistani American Muslim household. Assertive, organized Zara and rambunctious 7-year-old Zayd live with their Mama and Baba; the siblings’ grandparents and uncle are integral parts of their daily lives. Zara and Zayd enjoy playing outside with their friends—Black sisters Jade and Gloria, White Alan, and Chinese American Melvin. Mr. Chapman always said that Zara knew how to “rule with grace and fairness,” but new arrivals Naomi and Michael, Jewish kids who are eager to engage socially, put this to the test. When Jamal Mamoo, Mama’s brother, brings over his Guinness World Records book, Zara decides that becoming a world-record holder is the boost her social status needs. Her humorous (and futile) attempts to make her mark ultimately lead her to being a more patient and understanding big sister and more flexible and supportive companion to friends old and new. Strong pacing, fluid prose, engaging hijinks, and heartwarming scenes of family life and outdoor play are complemented by expressive illustrations.
A charming contemporary story with a classic feel. (Fiction. 7-10)Pub Date: April 19, 2022
ISBN: 978-1-5344-9759-7
Page Count: 144
Publisher: Salaam Reads/Simon & Schuster
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
PERSPECTIVES
PERSPECTIVES
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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