A few funny lines, but the dispirited tone sinks it fast.
Debut by freelance copyeditor Messina, a magazine-world insider (InStyle, Metropoilitan Home, etc.).
Fortunately for twentysomething English majors, magazines that worship celebrities and run breathless articles about the things the celebs own actually sell more than a few copies. Toilet stopped up? Unclog like a star! And here’s where to get Jennifer Aniston’s plunger! Meantime, though, overworked editorial assistant Vig Morgan wishes she could write meaningful, informative articles, but bitchy boss Jane McNeill won’t hear of it. Then rumors of an impending palace coup are whispered among the cubicles of Fashionista offices in midtown New York. Could the much-married Marguerite Tourneau Holland Beckett Velazquez Constantine Thomas of Australia, Paris, and London be next in line for Jane’s throne? A battle for control ensues, with the Audrey Hepburn look-alike waving her cigarette holder like a symbolic sword as Jane, the scrappy American, fights back. The supporting characters make up a publishing rogues’ gallery: Maya, the forlorn, underpaid freelancer; Allison, the dumpy, badly dressed beauty editor; Dot Drexel, perky headline writer, etc. But who is Alex Keller, the mysterious man behind Fashionista’s fabulous party page, and why is he always in such a bad mood? Passing herself off as a dog walker and taking Alex’s chocolate lab around the block, Vig finally gets the scoop: he’s a gorgeous architecture major at Cooper Union who long ago delegated the actual work of writing the column to superefficient Delia. But even that can’t rouse Vig from the depths of designer despair. Every month she takes the same three strands of yarn—celebrity, fashion and beauty—and weaves them together. When Alex, one of the great listeners, asks why she still works there, Vig treats him to a 45-minute rant on Jane’s vindictiveness, Dot’s vapidness, and on the endless whoring after celebrities that has turned her life into hell (a very dull hell). Turns out she’s, uh, afraid of change. But a great new assignment with her very own by-line awaits.
A few funny lines, but the dispirited tone sinks it fast.Pub Date: March 1, 2003
ISBN: 0-373-25025-8
Page Count: 288
Publisher: Red Dress Ink
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
