A few funny lines, but the dispirited tone sinks it fast.



Debut by freelance copyeditor Messina, a magazine-world insider (InStyle, Metropoilitan Home, etc.).

Fortunately for twentysomething English majors, magazines that worship celebrities and run breathless articles about the things the celebs own actually sell more than a few copies. Toilet stopped up? Unclog like a star! And here’s where to get Jennifer Aniston’s plunger! Meantime, though, overworked editorial assistant Vig Morgan wishes she could write meaningful, informative articles, but bitchy boss Jane McNeill won’t hear of it. Then rumors of an impending palace coup are whispered among the cubicles of Fashionista offices in midtown New York. Could the much-married Marguerite Tourneau Holland Beckett Velazquez Constantine Thomas of Australia, Paris, and London be next in line for Jane’s throne? A battle for control ensues, with the Audrey Hepburn look-alike waving her cigarette holder like a symbolic sword as Jane, the scrappy American, fights back. The supporting characters make up a publishing rogues’ gallery: Maya, the forlorn, underpaid freelancer; Allison, the dumpy, badly dressed beauty editor; Dot Drexel, perky headline writer, etc. But who is Alex Keller, the mysterious man behind Fashionista’s fabulous party page, and why is he always in such a bad mood? Passing herself off as a dog walker and taking Alex’s chocolate lab around the block, Vig finally gets the scoop: he’s a gorgeous architecture major at Cooper Union who long ago delegated the actual work of writing the column to superefficient Delia. But even that can’t rouse Vig from the depths of designer despair. Every month she takes the same three strands of yarn—celebrity, fashion and beauty—and weaves them together. When Alex, one of the great listeners, asks why she still works there, Vig treats him to a 45-minute rant on Jane’s vindictiveness, Dot’s vapidness, and on the endless whoring after celebrities that has turned her life into hell (a very dull hell). Turns out she’s, uh, afraid of change. But a great new assignment with her very own by-line awaits.

A few funny lines, but the dispirited tone sinks it fast.

Pub Date: March 1, 2003

ISBN: 0-373-25025-8

Page Count: 288

Publisher: Red Dress Ink

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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Another success for the publishing phenom.


An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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