A quiet domestic novel that soars.
Three siblings bring their families together to celebrate the first Christmas after their mother’s death.
When Helen, their strong, opinionated, bighearted mother, dies suddenly, siblings Henry, Kate, and Martin and their spouses are left unmoored by her absence. Gathering at Henry and Alice’s home in upstate New York, the family hopes to keep Helen’s traditions alive while navigating holiday stress, interpersonal drama, and the unsettled nature of their inheritance: their childhood home in Florida. The house, however, is not the only tension within the group. Henry, an artist, spends long days constructing a flock of clay birds and fretting over climate change, while Alice, a social worker, ruminates on their childless life after years of fertility treatments. Struggling with their differing opinions about ambition and parenting, Martin and Tess live in New York City with their two kids. Kate and Josh, who have found themselves on the wrong end of bad financial investments, hope to move into Helen’s house with their three children. Despite being set over just three days, Strong's book manages to distill the essences of not only the characters, but of their decades of shared history and the complicated, complex relationships among them. Above all else, the family loved Helen, and in the wake of her death, they must navigate the new dynamic and learn how to love one another again. Across town, Quinn and her daughter, Madeleine—Alice's clients—are relearning how to be a family, too, after Quinn temporarily lost custody of the girl. When Madeleine goes missing, the siblings spring into action to find her—and, in the process, begin to gain perspective about their own lives and relationships. With deft, discerning prose, Strong writes beautifully about mothers and the struggles, fears, and joys of motherhood. At one point, Kate confesses the depth of her grief to Tess: “But she’s the only person in the world who ever saw me the way she saw me, who loved me like that, who remembered me as all the things I’d ever been and also thought of me as all the things she still thought I might become.” As the novel comes to a close, Strong offers moments of connection among the family members that feel genuine and earned.
A quiet domestic novel that soars.Pub Date: Nov. 8, 2022
ISBN: 978-0-06-313514-7
Page Count: 240
Publisher: Mariner Books
Review Posted Online: Aug. 1, 2022
Kirkus Reviews Issue: Aug. 15, 2022
A perfectly charming read for devotees of the written word and anyone who’s ever hoped to find love in a bookstore.
An anonymous note left in a used book creates a surprising love triangle in Seattle.
April knows she’s become a bit too isolated while working remotely for an online real estate company. Her only social interactions come from awkward blind dates and apologetic texts from busy friends who have left her behind. Perhaps it’s this loneliness that causes her to take drastic, romantic action. She leaves an anonymous note in a book she sells to local bookstore Read the Room—it’s meant for the eyes of the cute flannel-wearing man who works at the used-book counter. But that cute employee, Westley, doesn’t see the note before putting the book—Magpie Murders by Anthony Horowitz—on the shelf. Instead, it’s found by widowed mother Laura, who thinks it’s Westley’s way of covertly communicating with her, and she responds by leaving a note in a copy of The Hunger Games, as April instructed in her original letter. Westley, meanwhile, has no idea why women are staring at him from the young adult section—he’s focused on a movie that’s filming at Read the Room. As April and Laura unwittingly leave each other letters, the many characters in the bookstore’s orbit get to know each other and unlikely connections form. In her debut novel, Seattle Times arts critic Macdonald writes her own love letter to bookstores, and the community and comfort they can provide. The writing has the feel of a British rom-com, despite the Seattle setting, which gives the story a cozy air. Although there are romances brewing, the story is ultimately about the courage it takes to go after the life you want.
A perfectly charming read for devotees of the written word and anyone who’s ever hoped to find love in a bookstore.Pub Date: May 27, 2025
ISBN: 9780593851296
Page Count: 320
Publisher: Dutton
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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