by Lynne Ewing ‧ RELEASE DATE: Aug. 1, 1998
Ana and Kata have been friends since fourth grade, so close that they had become a part of one another. When they dance at the battle of the go-gos they move in perfect synchrony to the pounding beat, and nothing exists but the music and each other. Then Ana is gunned down by members of a rival gang, and Kata is torn between her desire for revenge and her yearning to “face out” and quit the life. In a relatively small number of pages, Ewing (Drive-By, 1996, etc.) captures the pulse and rhythm of the setting, from the Los Angeles neighborhood and snatches of conversation in Spanish, to the staccato footsteps of Kata and Ana in their hot pants and five-inch heels. The fast-paced narration features some riveting action and close-ups of a world where teenagers literally have no futures. Unfortunately, Ewing doesn’t give relationships, family situations, and emotions more than cursory psychological summaries; readers never feel, as they do in Gary Soto’s books, that they have slipped into the characters’ skins. Nevertheless, this is a gripping look at a fascinating, often ruthless, urban world. (Fiction. 12-14)
Pub Date: Aug. 1, 1998
ISBN: 0-679-89285-0
Page Count: 128
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
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by Walter Dean Myers ‧ RELEASE DATE: May 31, 1999
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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by Walter Dean Myers ; illustrated by Floyd Cooper
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by Walter Dean Myers ; adapted by Guy A. Sims ; illustrated by Dawud Anyabwile
by Paul Fleischman ‧ RELEASE DATE: May 1, 1998
At once serious and playful, this tale of a teenager’s penitential journey to four corners of the country can be read on several levels. While attempting to kill himself on the highway after a humiliating social failure, Brent causes a fatal accident for another motorist, Lea Zamora. His sentence requires a personal act of atonement, if the victim’s family so desires; Lea’s mother hands him a bus pass and tells him to place pictorial whirligigs in Maine, Florida, Washington, and California as monuments to her daughter’s ability to make people smile. Brent sets out willingly, armed with plywood, new tools, and an old construction manual. Characteristically of Fleischman (Seedfolks, 1997, etc.), the narrative structure is unconventional: Among the chapters in which Brent constructs and places the contraptions are independent short stories that feature the whirligigs, playing significant roles in the lives of others. Brent encounters a variety of travelers and new thoughts on the road, and by the end has lost much of the sense of isolation that made his earlier aspirations to be one of the in-crowd so important. The economy of language and sustained intensity of feeling are as strongly reminiscent of Cynthia Rylant’s Missing May (1992) as are the wind toys and, at least in part, the theme, but Fleischman’s cast and mood are more varied, sometimes even comic, and it’s Brent’s long physical journey, paralleled by his inner one, that teaches him to look at the world and himself with new eyes. (Fiction. 12-14)
Pub Date: May 1, 1998
ISBN: 0-8050-5582-7
Page Count: 133
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
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by Paul Fleischman ; illustrated by Hannah Salyer
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by Paul Fleischman ; illustrated by Melissa Sweet
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