An entertaining first entry in what promises to be a fantastic time-travel series.
A ragtag team of archaeology experts find themselves at the center of a battle for humankind’s survival in Rothman and Butler’s supernatural thriller.
Present-day Egyptologist Marty Cohen joins a secret, privately financed dig in Egypt’s Nabta Playa after his friend and German archaeologist Gunther Mueller tantalizingly tells him that they found hieroglyphs that predate any known writing from the region. The expedition, led by eccentric French millionaire François Garnier, also includes Indigenous Australian biological anthropologist Lowanna Lancaster; security expert Surjan Singh, a former member of India’s special forces; and Egyptian dig specialists Abdullah bin Rahman and his nephew Kareem. When Marty finally sees the hieroglyphs in a tunnel leading to a mysterious chamber, he’s dumbfounded to find something that shouldn’t be there: English-language text. Just then, the members of the expedition are suddenly transported to another place, across the Sahara—and back in time, thousands of years. As they journey across the desert in an attempt to find their way back home, they meet new friends and foes; among the latter are monsters with jackal heads and human bodies that looks suspiciously like the god Seth. The team soon discover that the future is in danger—and that they’re the only ones who can save it. This highly enjoyable novel by Rothman and Butler is full of nonstop action, bits of science, mystery, humor, and enough Ancient Egypt trivia to satisfy any history enthusiast. The quest narrative and the Dungeons & Dragons–style team structure recall familiar fantasy tropes, but the authors manage to develop the characters well, giving them each their own distinct arcs, and it results in a tale that’s well worth reading. The overarching mystery keeps the pages turning in an adventure tale that refreshingly shows respect for ancient civilizations and their accomplishments.
An entertaining first entry in what promises to be a fantastic time-travel series.Pub Date: March 7, 2023
ISBN: 978-1-982192-48-8
Page Count: 532
Publisher: Baen
Review Posted Online: June 13, 2022
Review Program: Kirkus Indie
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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