This thriller can’t decide if it wants to entertain or convert.
This bold Christian thriller sees a covert organization go to war against the supernatural.
In 1994, Dominic “Nick” Moreau’s wife and child were killed by what he described as a werewolf. The authorities, though, believed him to be the true murderer and locked him up. Enter Christopher Griffin, who interviewed Nick in prison, posing as an FBI agent, and explained his work for Knightlight—a group in God’s service that battles supernatural evil. Griffin invited Nick—himself a dedicated Christian with military experience—to join. Now codenamed Rock, Nick leads a Trinity squad that eliminates vampires, werewolves and other demonic hybrids fallen from God’s grace. Rock’s latest mission involves investigating Malcolm Carson, a famous sasquatch hunter who has assembled a massive hunting party to find his quarry in Montgomery County, Ind. The area has suffered a rash of grisly slayings that remind Rock of the beast that killed his family. Responsible for the chaos is Darlene, the mild-mannered leader of a satanic cult who helps foment the darkness that’s been brewing since Israel became a nation in 1947. Rock’s squad intends to shine a light on Darlene while protecting the misguided Carson and his lovely daughter, Crystal. Debut author Rossi brings clean action and humor to the adventure, which occasionally pops with one-liners: “Whatever Hell spat out, Knightlight was there to engage and return to its pit.” But much of the prose can be stilted: “The broad-brimmed hat that covered his head had absorbed much sweat in the heat of the day and was finally drying in the slight night breeze of the still very warm evening.” The largest problems, though, are the defensive political screeds that interrupt the narrative. For instance, a discussion on terrorism is full of bolded, italicized phrases, such as: “Freedom itself was shamed that day.” There’s also a tendency toward intellectual blandness, culminating in the line: “Artists, Crystal thought, who can understand them?”
This thriller can’t decide if it wants to entertain or convert.Pub Date: April 26, 2013
ISBN: 978-1452572222
Page Count: 498
Publisher: BalboaPress
Review Posted Online: March 17, 2021
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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