by M MacKinnon ‧ RELEASE DATE: Nov. 1, 2019
An enjoyable, solidly paced escape.
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The sound of bagpipes ushers in MacKinnon’s (The Comyn’s Curse, 2019) latest mystery, which features murder, drugs, centuries-old castles, romance—and a couple of ghosts.
The second volume in MacKinnon’s Highlands Spirits Series reconnects most of the cast from the opener. Detective Kate Bianchi of the Harrington, New Jersey, police force has just been assigned to a prestigious new task force investigating the rapid spread of a dangerous new hallucinogen called “Reign” (or “Regicide” in Europe). The drug is apparently being imported from somewhere in the Scottish Highlands. However, before Kate begins working on the case, she learns that her husband, Eddie, has died in a construction accident. She’s distraught and unfocused and put on temporary leave. Aubrey, one of Kate’s best friends, is now living in Scotland and engaged to Fionnlagh “Finn” Cameron, a history professor, part-time guide, and bagpipe enthusiast. Kate takes up residence at Aubrey’s friend Nessie’s rooming house in Inverness. In the same city, at her friend Angus’ bookshop, she meets the handsome, albeit scowling, Detective Investigator Jack MacDonald of the Scottish national police force, which is also working on the Reign enigma. Much to his consternation, Kate is added to his investigative team. So the adventure begins, mixing danger with an engaging lesson in Scottish history and culture—including a unique, running tutorial on bagpipes. When Aubrey, Finn, and Kate check out Dunebrae Castle as a possible honeymoon destination, the past and the present begin to intertwine—in ghostly fashion. The author effectively intersperses a mournful love story from 1644 with the suspenseful events of the current investigation. Along the way, MacKinnon drops perhaps a few too many breadcrumbs, and, as a result, readers are unlikely to be shocked when the villain is revealed. However, the author sufficiently keeps up the tension and the narrative pace, throwing in a few intriguing twists to keep the plot engaging. The text is also peppered with Scottish phrases (a glossary is included), and this adds to the charm of the characters and the atmospheric location.
An enjoyable, solidly paced escape.Pub Date: Nov. 1, 2019
ISBN: 978-1-951490-08-9
Page Count: 344
Publisher: DartFrog Books
Review Posted Online: Feb. 7, 2020
Review Program: Kirkus Indie
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by Leigh Bardugo ‧ RELEASE DATE: Oct. 1, 2019
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
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New York Times Bestseller
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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by Leigh Bardugo ; illustrated by Dani Pendergast
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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