A howl.
Swallowed by a wolf, a mouse and duck defend their cozy belly from a hunter.
When the mouse is swallowed, its lament wakes duck, abed “in the belly of the beast.” Over breakfast, the mouse asks, “Where did you get jam?…And a tablecloth?” The response: “You’d be surprised what you find inside of a wolf.” Readers will be, too: the duck manages a shipshape household that includes a four-burner cooktop, a nice set of knives, and formalwear for fancy dinners. The duck explains that living inside the wolf eliminates that daily, existential fear of being swallowed by wolves. The mouse stays; the two celebrate by dancing to records. The wolf, meanwhile, roils with stomach pain, which is then worsened by the duck’s suggested “cure.” “Eat a hunk of good cheese. And a flagon of wine! And some beeswax candles.” When a hunter corners the ailing wolf, the mouse insists on fighting to “defend our home.” It’s this enterprising pair that wins the day: the hunter flees from its unexpected, armed trajectory out of the wolf’s mouth. The grateful wolf extends a favor—which the duo redeems in phonograph records. Klassen’s signature palette, compositions, and comedic, horizontally elongated eyes are here along with the heightened action propelled by Barnett’s narrative. Barnett wrestles Aesop and Grimm into pretzels, adding a groaner ending (“And that’s why the wolf howls at the moon”) for the mustard.
A howl. (Picture book. 4-8)Pub Date: Oct. 10, 2017
ISBN: 978-0-7636-7754-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: Aug. 11, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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