Bruising, interesting, occasionally sublime.
A quietly restless coming-of-age at a British boarding school for wayward boys in the summer of 1976.
We meet 17-year-old Jean, “Lord of Unluck,” as he receives a warning in the headmaster’s office of Compton Manor, the “House of Nutters,” his mother, Rosa, has sent him to after years of misadventures and expulsions. At Compton, Jean is an outsider among outsiders, his Jewish heritage and scholarship status ensuring his hackles stay up around the “the boys who are good at sport and who speak in loud, posh voices.” Among these lucky few is Tom, a popular boy who, in the final months of school, begins to seek Jean out for shared joints and other illicit intimacies. Their relationship is fenced in by secrecy—there are rumors, of course, about what an upper year boy might solicit from a younger student in the back toilets, but “none of this would be said aloud. No one is, nor ever will be, a faggot”—and time, as their final school year speeds to an end. Tom remains indistinct, to the reader as well as to Jean, which is part of the point; the novel, true to its title, is a meditation on Jean and the particular clockwork of his adolescent agony. The voice is a restrained third-person present-tense, its dialogue rendered without quotation marks. Dunnigan’s prose is carefully simple, and while some passages shimmer with piercing insight, the story can feel constrained by its own dedication to subtlety. The commitment to this austere mode makes the odd moments of clunky disclosure all the more jarring: metaphors made literal, realizations spelled out, pinches of traumatic memory reemerging just in time to contextualize destructive behavior. Even so, Jean is a compelling protagonist, his split-knuckled pursuit of a place in the world convincing in its sheer rawness.
Bruising, interesting, occasionally sublime.Pub Date: Jan. 13, 2026
ISBN: 9781324105640
Page Count: 224
Publisher: Norton
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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