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COCKTAILS FOR THREE

Succeeds when it’s silly, fails when it attempts dramatic weight.

Deliciously funny, if uneven sixth novel by Wickham (The Gatecrasher, 2000, etc.) follows three young British career women, just girlfriends at heart, as they bond, break-up, and come happily together again through tumultuous life changes.

Candice Brewin, Roxanne Miller, and Maggie Phillips, who toil together in the editorial offices of an upscale magazine, the Londoner, meet for drinks on the first of every month. Witty and wicked, each of these charmers has a distinctive persona and a personal problem. Goodhearted Candice is the writer, laboring under the revelation that her father (after his sudden death in a car crash) was a con man, a fraud, and a cad. Roxanne is the tough, hard-drinking broad who eschews sentimentality, works freelance on travel pieces, and has been carrying on a six-year affair with “Mr. Married with Kids,” whose identity she keeps secret from even her closest friends. Maggie, the magazine’s high-powered editor, is nine months pregnant, married to a millionaire, and about to leave London for the life of a country matron, “making coffee for a series of new, vibrant friends with cute babies dressed in designer clothes.” At first, these personable and empathetic protagonists seem in control and on top. But Maggie soon finds life outside the city dreary and lonely. Then Roxanne’s lover, who turns out to be Londoner’s publisher, sends her into a tailspin when he cuts her loose without telling her he’s been diagnosed with terminal cancer. Meanwhile, Candice runs into Heather Trelawney, a schoolmate whose family lost everything because of Candice’s father. Trying to make amends, Candice takes the girl under her wing and sets in motion a familiar but still terrifying scenario in which Heather systematically sets out to ruin Candice’s life. The friends lose patience with themselves, and each other, as misunderstandings abound and good intentions go astray.

Succeeds when it’s silly, fails when it attempts dramatic weight.

Pub Date: July 1, 2001

ISBN: 0-312-28192-7

Page Count: 304

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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