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A RING OF ENDLESS LIGHT

Grandfather quotes Teresa of Avila and Henry Vaughn (thus the title). "Poetry does illuminate, doesn't it?" he asks. "Doctors with both skill and human compassion are becoming an endangered species," but Daddy Austin is one. Mother does housework to Brahms or Beethoven, cooks to Bach or Scarlatti or Mozart. Vicky, 15, is a poet; and the boss scientist says of her dolphin journal, "Your prose is excellent. . . your imagery is precise and vivid." The family hates plastic grass at funerals, discusses black holes in "heavy" dinner-table conversations, and generally holds the enlightened attitude on everything from prayer to parmesan cheese, which they buy ungrated. "It does have a much more delicate flavor than when it comes out of a jar," says Mother prissily. All this is revealed during the summer that L'Engle's Austin family spends on Seven Bay Island, in the book-filled converted stable where Grandfather, a former minister, is dying of leukemia. To balance her anguish over grandfather's dying and the general atmosphere of death that seems to prevail that summer, Vicky takes comfort and joy from her remarkable ability to communicate nonverbally with dolphins. And she is distracted by the heady dilemma of choosing among three young men: spoiled, rich Zachery, who says he needs her and whose kisses fill her with electricity; Leo Rodney, whose father has just died saving Zachery from suicide, and whom Vicky grows fond of but only as a friend; and Adam, a college student working with the dolphins, who doesn't want to get involved but who answers her telepathic call when she needs him at the mainland hospital—where Grandfather is being transfused and a leukemic, epileptic child has just died in her lap. This last bit of death is almost too much for Vicky, who is probably more sympathetic in her temporary despair than she is elsewhere, mulling repetitively over death, dolphins, and the three young men. There is an irritating air of self-satisfaction to L'Engle's view of Vicky's deep concerns—and to her picture of the family, whose literate quotes but commonplace thoughts seem cast as examples of superior wisdom and compassion.

Pub Date: May 1, 1980

ISBN: 0374362998

Page Count: 324

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: May 1, 1980

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WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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RELEASE ME

From the Shatter Me Series: The New Republic series , Vol. 2

A character-focused entry that will satisfy fans.

Romantic complications between a trained killer and one of her captors drive this sequel to Watch Me (2025).

Appealing to readers who prefer their romantic dramas to be light on action and heavy on long passages of banter, bitter sibling arguments, and tortured reflections, Mafi continues the tale of Rosabelle Wolff, the flaxen-haired assassin from the dystopic Reestablishment, and magnetic, “impossibly stunning” James Anderson, her nemesis-turned-lover who’s still trying to take down the regime. Now desperate to accomplish several secret missions, Rosa easily escapes from one of The New Republic’s prisons, where she was left in the series opener, and, dressed in “a little kid’s cat onesie,” eludes all pursuers except for James, who can seemingly find her at will. Enigmatic Rosa responds unpredictably to many human contacts—including with violence, temporary death (one of her abilities), or a sudden panic attack. Along with the central pair of rivals and lovers, James’ older brother, Aaron, shares the narration. Bestseller Mafi tucks in several subplots, including, notably, a cameo from Juliette Ferrars, the protagonist of the original Shatter Me series, who’s undergoing a scarily difficult pregnancy. Amid the slowly simmering rising action, the author delivers a revelation and a twist that set up a potential series climax. Some ethnic diversity is present in the supporting cast.

A character-focused entry that will satisfy fans. (Dystopian. 14-adult)

Pub Date: April 7, 2026

ISBN: 9780063419056

Page Count: 384

Publisher: Storytide/HarperCollins

Review Posted Online: April 7, 2026

Kirkus Reviews Issue: April 15, 2026

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