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A SWIFTLY TILTING PLANET

L'Engle's irksomely superior Murry family reassembles here for Thanksgiving dinner, about ten years after Meg and Charles Wallace braved the Wrinkle in Time to rescue their scientist father from malevolent cosmic forces. Now Mother has her Nobel prize; the mundane twins are in law and med schools, respectively; Meg is married to old friend Calvin O'Keefe and happily pregnant (but more bland and vacuous than she ever was before); Father is a confidant of the President, who calls him now simply to unload his worry about the imminent nuclear war threats of South American dictator Mad Dog Branzillo; and precocious Charles Wallace, now 15, leaves his tesseract model and goes off to his star-watching rock to see what he can do to avert disaster. There, with the wind making the decisions and the evil echthroi trying to catch him en route, Charles rides a unicorn back in time and goes "Within" a series of individual consciousnesses. Through these psychic stopovers L'Engle tells of two Welsh brothers who came here before Columbus and fought over an Indian maid, and of their descendants from Puritan times straight on down to Mrs. O'Keefe—now Meg's bitter, inarticulate mother-in-law, who has roused herself just long enough to provide Charles with a rune and charge him with the mission. The idea, according to the unicorn, is for Charles to influence a Might-Have-Been which determines whether Branzillo is descended from the good or the bad line, and thus (?!) whether he will or will not start a nuclear war—a shaky if not asinine premise on which to build an earth-tilting adventure. The Madoc-Maddok-Maddox-Mad Dog family saga grows in interest as Charles gradually figures out all the connections, but—though his mission succeeds somewhere in the 19th century—we never see him as anything but a passive, if uniquely present, onlooker. Meg's role is even more passive and less engaging, as she alternates between wringing her hands in the family kitchen and stroking a strange dog on her attic bed while fretfully following Charles Wallace's adventures in her "kything" mind.

Pub Date: July 1, 1978

ISBN: 0374373620

Page Count: 294

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: July 1, 1978

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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