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THE TOLL

From the Arc of a Scythe series , Vol. 3

Long but strong, a furiously paced finale that reaches for the stars.

The sins of the founding scythes now reap terrible rewards in this trilogy conclusion.

The Thunderhead—a benevolent, nigh-omniscient, nanite-controlling artificial intelligence—still runs the world but speaks only to Greyson Tolliver. Now deified as the Toll, prophet of the Tonists, Greyson attempts to advise a populace abruptly cut off from the Thunderhead’s gentle guidance. For the scythes—allegedly compassionate and objective executioners whose irreversible gleanings control the post-mortal population—the Thunderhead’s been silent for centuries, but recent scythedom unrest now tests the Thunderhead’s noninterference. Untouchable and unhinged, Scythe Goddard, self-appointed Overblade, encourages unrestricted and prejudiced gleanings. Formerly formidable opponents Scythe Anastasia (Citra Terranova) and scythe-killer Scythe Lucifer (Rowan Damisch) are now fugitives, saved from the sea but pursued by Goddard’s allies. Even in a post-national, post-racial world, Capt. Jerico’s meteorologically influenced gender fluidity surprises some, but as Goddard’s bigotry indicates, discrimination plagues even the post-mortals. Shusterman (Dry, 2018, etc.) wryly unravels organized religion and delivers a scathing takedown of political demagogues. Yet the whirlwind of narrators, sly humor, and action scenes never obscures the series’ central question: If most death is impermanent, and age can be reset, what’s the meaning of life?

Long but strong, a furiously paced finale that reaches for the stars. (Science fiction. 14-adult)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4814-9706-0

Page Count: 640

Publisher: Simon & Schuster

Review Posted Online: Sept. 28, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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