by Madeleine L'Engle ‧ RELEASE DATE: May 7, 1973
"It's not right in the United States of America that a little kid shouldn't be safe in school," but after hearing a sample of Meg and Charles Wallace Murry's conversation ("Do you suppose I'll ever be a double Ph.D. like you, Mother?") we suspect that their peers' dislike of them may be based on more than brute anti-intellectualism. Anyway, genius first-grader Charles Wallace is deeply involved with his mother's discovery of mitochondria and farandolae; in fact, he's suffering from mitochondritis, and his illness is an important part of the plans of the evil Echthroi who have torn a hole in the galaxy. A mystical teacher, Mr. Blajeny, and a cherubim Proginoskes warn Meg that to save her brother she must learn to love even the unsympathetic school principal Mr. Jenkins (who's kind of like Salinger's fat lady). Having accomplished this task and thereby successfully differentiated Mr. Jenkins from two Echthroi impersonators, Meg journeys with Calvin and Mr. Jenkin's fight down into Charles Wallace's cells to lecture his warring farandolae on "the great plan" and every organism's "unique share in the freedom of creation." The audacity of Ms. L'Engle's mytho-scientific imagination and her undoubted storytelling abilities keep the reader involved in Meg's quest, but one wonders whether its chief appeal doesn't lie in the all too natural desire to believe that our difficulties, like the Murrys', are personal attacks by the forces of cosmic evil — who doesn't like to speculate that their nasty old school principal is really an agent of the devil? Unfortunately, Meg learns to love the universe with unconvincing ease, and L'Engle seems to be straining unusually hard to relate what's wrong with America to the double-talk phenomenon of mitochondria and farandolae.
Pub Date: May 7, 1973
ISBN: 0374384436
Page Count: 232
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: May 1, 1973
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by Don Martin ‧ RELEASE DATE: Aug. 5, 2025
A sweet if muddled tale of the magic of Appalachia.
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A teenage witch goes up against the evil king of the mountain to save a cursed village.
Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.
A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)Pub Date: Aug. 5, 2025
ISBN: 9798890032706
Page Count: 336
Publisher: Page Street
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
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SEEN & HEARD
by Vera Brosgol & illustrated by Vera Brosgol ‧ RELEASE DATE: June 7, 2011
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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