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ONE THOUSAND WORDS FOR WAR

Useful fare for creative-writing classes but more significantly, an above-average set of takes on a worthy theme.

Nineteen rising stars answer a challenge to write in a distinctive narrative frame native to East Asian literature, offering visions of alien contact, escape from repression, and exploits in alternate, virtual, and extraterrestrial worlds.

The editors begin their collection by loosely defining the four-stage form commonly transliterated as “Kishotenketsu" as storytelling in which conflict is just another element in the authorial toolbox rather than, as in Western conventions, central to plots and themes, inviting readers to see peacemongering as the common thread here. Though folding in violence either implied or explicit, most of the contributors work ingenious twists on this notion. Potential wars with aliens are headed off by new friends of different species who discover that the translation program their diplomat parents are using has been hacked (“In Other Words”) and also when a Pakistani village welcomes a pair of “Unexpected Guests” with tea. A transgender child crosses a personal “Threshold” by fighting off a bully at the boundary between this world and the magical Hidden Lands. Contrary to mythology, there is, it turns out, an afterlife “Beyond the Promised Land” for dead Viking heroes who weary of slaughtering one another over and over again in Valhalla. The stories range in length from short shorts on up, and if none of their authors are household names (yet), each is well-crafted and thought-provoking in both form and content.

Useful fare for creative-writing classes but more significantly, an above-average set of takes on a worthy theme. (Science fiction/fantasy short stories. 11-14)

Pub Date: May 1, 2016

ISBN: 978-1-933767-51-2

Page Count: 232

Publisher: CBAY

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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UP FROM THE SEA

It’s the haunting details of those around Kai that readers will remember.

Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.

With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.

It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)

Pub Date: Jan. 12, 2016

ISBN: 978-0-553-53474-0

Page Count: 272

Publisher: Crown

Review Posted Online: Sept. 15, 2015

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