A bit too impassive, but a solid contribution to Chinese American history.
A century in the saga of a Chinese American family.
In 1864, 12-year-old Joseph Tape—formerly Jeu Dip—arrived in San Francisco from Guangdong Province in China. Young Joseph worked hard, succeeded in business and married a well-assimilated Chinese American girl named Mary McGladery. Ngai (History/Columbia Univ.; Impossible Subjects: Illegal Aliens and the Making of Modern America, 2005) depicts the lives of the Tapes and their offspring against a setting of legal and illegal aliens and pervasive exclusion laws. The Tapes participated in the poorly managed “Chinese Village” in the St. Louis World’s Fair of 1904 and were shaken by the San Francisco earthquake of ’06. They saw the creation of San Francisco’s Chinatown, an urban invention that flourished in several other cities, and they were litigants in a landmark lawsuit to provide public education to all. Their story encompasses both the Great Depression and World War II. At a time when movies presented Warner Oland as Charlie Chan and Boris Karloff as Dr. Fu Manchu, the Tapes were as Americanized as possible. Their son Frank, a translator and hustler, got involved in graft schemes. It was an ordinary family in many ways, with black sheep and marital discord. The author has mined the public records assiduously, but there’s much conjecture regarding individual motivations and activities with a plenitude of “may haves,” “perhaps” and “one imagines.” Yearning to create a story emblematic of the American experience, the author presents a narrative that is no less, and no more, exciting than most other family histories.
A bit too impassive, but a solid contribution to Chinese American history.Pub Date: Sept. 15, 2010
ISBN: 978-0-618-65116-0
Page Count: 304
Publisher: Houghton Mifflin
Review Posted Online: June 2, 2010
Kirkus Reviews Issue: July 1, 2010
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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