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FRAGMENTS OF AN INFINITE MEMORY

MY LIFE WITH THE INTERNET

A pleasing metaphysical ramble through the nexus of self, emotion, memory, and experience in the digital age.

A French writer and translator explores the changing nature of the human experience when the internet is virtually inescapable.

Most Gen X readers have the ability to remember life before the internet but also to live now at the relentless pace that the digital age requires. Renouard, formerly a teacher of philosophy, turns his considerable intellect to the consequences of life with the internet, specifically his own. One might expect such a contemplation to be either technical in detail or hopelessly academic, but the author strikes a surprisingly conversational tone. As the narrative opens, the author is on a Paris boulevard, idly daydreaming about whether he could use Google to reconstruct where he was and what he was doing at a certain time two evenings prior. “For some people,” he writes, “to throw a few words into Google has become the gesture of a new form of divination—googlemancy.” These succinct but evocative chapters aren’t essays in the traditional sense but rather pieces of a scaffolding on which the author can hang his often inspired, sometimes perplexing reflections. It doesn’t hurt that Renouard’s language is quite nimble. He can state the obvious with grace—“Each generation sees the technological advances of the previous era—no matter how near—as excrescences of an ancient world”—and then circle back to the thought in a subsequent chapter with a poetic melancholy: “In the Internet there is a fountain of youth into which you drunkenly plunge your face at first, then see your reflection battered by the years, in the dawn light.” Using films, books, and personal experiences as touchstones, Renouard offers a thoughtful consideration not of the internet’s properties or even its possibilities but how its very presence changes us as human beings.

A pleasing metaphysical ramble through the nexus of self, emotion, memory, and experience in the digital age.

Pub Date: Nov. 17, 2020

ISBN: 978-1-68137-280-8

Page Count: 224

Publisher: New York Review Books

Review Posted Online: Jan. 30, 2020

Kirkus Reviews Issue: March 1, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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