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NORMAL

ONE KID'S EXTRAORDINARY JOURNEY

Funny, compassionate, and thoughtful.

Nathaniel Newman and his mother, Magda, recount how Nathaniel’s Treacher Collins syndrome has affected their family.

In alternating passages, the authors relate how, after being born with severe craniofacial deformities affecting his hearing, eating, and breathing, Nathaniel underwent “sixty-plus” surgeries before age 16. Along the way, he and his family faced kids’ curiosity and adults’ insensitivity. Magda’s poignant, sometimes absurdly humorous endeavors to raise Nathaniel and his little brother, Jacob, as normally as possible emphasize how Nathaniel’s disability shaped their family; siblings of kids with disabilities will sympathize when Magda describes how Jacob’s needs came second. Nathaniel is witty and matter-of-fact about his condition, concluding that “it would have been easier to be born ‘normal,’ but far less cool.” Throughout the book’s second half, the authors discuss how R.J. Palacio’s book Wonder (2012) encouraged empathy for kids with craniofacial and other differences, and fans of the movie will appreciate thought-provoking peeks behind the scenes. Despite being dubbed “Auggie Pullman come to life,” Nathaniel abundantly shows that he’s his own multifaceted person. Flashbacks to Magda’s childhood in Poland emphasize the importance of family and imagination in tough times. Though their story sometimes feels disjointed or overstuffed, its breadth reflects their personally extraordinary but emotionally universal journey. As Nathaniel observes, “I’m not normal, and neither are you.” Swaab’s full-page cartoon-style drawings introduce each chapter. The Newmans present white. Magda is Catholic; her husband and sons are Jewish.

Funny, compassionate, and thoughtful. (Memoir. 10-14)

Pub Date: Jan. 14, 2020

ISBN: 978-1-328-63183-1

Page Count: 336

Publisher: HMH Books

Review Posted Online: Oct. 8, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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50 IMPRESSIVE KIDS AND THEIR AMAZING (AND TRUE!) STORIES

From the They Did What? series

A breezy, bustling bucketful of courageous acts and eye-popping feats.

Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?

Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.

A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)

Pub Date: May 10, 2016

ISBN: 978-0-14-751813-2

Page Count: 320

Publisher: Puffin

Review Posted Online: Nov. 10, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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JUST PRETEND

A rich and deeply felt slice of life.

Crafting fantasy worlds offers a budding middle school author relief and distraction from the real one in this graphic memoir debut.

Everyone in Tori’s life shows realistic mixes of vulnerability and self-knowledge while, equally realistically, seeming to be making it up as they go. At least, as she shuttles between angrily divorced parents—dad becoming steadily harder to reach, overstressed mom spectacularly incapable of reading her offspring—or drifts through one wearingly dull class after another, she has both vivacious bestie Taylor Lee and, promisingly, new classmate Nick as well as the (all-girl) heroic fantasy, complete with portals, crystal amulets, and evil enchantments, taking shape in her mind and on paper. The flow of school projects, sleepovers, heart-to-heart conversations with Taylor, and like incidents (including a scene involving Tori’s older brother, who is having a rough adolescence, that could be seen as domestic violence) turns to a tide of change as eighth grade winds down and brings unwelcome revelations about friends. At least the story remains as solace and, at the close, a sense that there are still chapters to come in both worlds. Working in a simple, expressive cartoon style reminiscent of Raina Telgemeier’s, Sharp captures facial and body language with easy naturalism. Most people in the spacious, tidily arranged panels are White; Taylor appears East Asian, and there is diversity in background characters.

A rich and deeply felt slice of life. (afterword, design notes) (Graphic memoir. 10-13)

Pub Date: May 18, 2021

ISBN: 978-0-316-53889-3

Page Count: 320

Publisher: Little, Brown

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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