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PRETTY IS

A satisfying, unusual novel.

In Mitchell’s debut, two lonely 12-year-old girls develop strong feelings for the man who abducted them.

Their captor, whom they call Zeb, keeps the girls hidden in a lodge in the Adirondacks for two months but doesn't physically harm them. He's eventually killed by the police and the girls are returned home. Years later, when they're both nearly 30, Lois and Carly May seem to have recovered from their abductions and lead fulfilling adult lives. Carly May's changed her name to Chloe Savage and has a moderately successful career as an actress, while Lois, a literature professor in upstate New York, also has an alternate identity. Using the pseudonym Lucy Ledger, she's written a thriller about two kidnapped girls. The book is successful enough to be turned into a movie, and the role of the detective who develops an unhealthy obsession with the intriguing kidnapper goes to none other than Chloe Savage. Chloe, of course, recognizes the plot as her story and begins to revisit her memories of Zeb and their days in the lodge, where the two girls bonded and competed subtly for Zeb's affections. While the story sounds convoluted, it's an interesting and unexpected exploration of the aftermath of an abduction that left invisible scars. At one point, Lois refers to a literary argument that “fiction should adhere to a standard of probability, rather than possibility." Everything about this novel defies probability. By the time Lois and Chloe meet again to talk about their past, many unbelievable things have happened, but this is a novel about stories, truth, and reinvention more than it is a logical thriller about a kidnapping. The voices of the two women are distinctive, each sharp and witty in her own way.

A satisfying, unusual novel.

Pub Date: July 7, 2015

ISBN: 978-1-62779-148-9

Page Count: 320

Publisher: Henry Holt

Review Posted Online: June 21, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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