Part Southern Gothic, part Frankenstein, all thought-provoking.
The historic and folkloric combine with menacing results in this retelling of a disturbing episode in America’s past.
In 1915, the Felicitous Five—a (fictional) group of teenage Jewish girls living in Atlanta—become obsessed with the (unfortunately nonfictional) case of Leo Frank, a local Jewish businessman convicted of murdering a 13-year-old factory worker, Mary Phagan, two years earlier. Dedicated to preserving every bit of reportage and memorabilia about Frank they can, the girls draw up a set of ground rules for their curatorial endeavors, stressing mutuality and sharing of information. After Frank’s sentence is commuted, he’s kidnapped and lynched by an incensed local mob; the girls then advance their project and construct a golem in Frank’s likeness, eventually coming to wrestle with their expectations for the creature once it becomes (somewhat) sentient. The youngest of the girls, precocious but naïve Ana Wulff, takes the project most to heart and risks alienation from the group (and her personal safety) when her experiences with the golem mutate from mere homage to Leo Frank into a more transcendent exploration of the nature of universal truth, the acquisition of language, and the role of language in the formation of consciousness. Based on extensive research by Nye, the narrative weaves together themes of mysticism from both the Jewish and voodoo traditions as it examines the angst of adolescence, the tyranny of mobs, and bigoted populism. Intermittent passages in the communal voice of four members of the Felicitous Five telegraph Ana’s eventual status vis-à-vis the group. Nye’s narrative poetically and darkly conveys the uncertainties and anxieties experienced by the girls as they mature to womanhood while struggling to understand the horrific circumstances of Phagan’s murder and Frank’s lynching.
Part Southern Gothic, part Frankenstein, all thought-provoking.Pub Date: June 15, 2024
ISBN: 9780810147324
Page Count: 296
Publisher: Curbstone Press/Northwestern Univ.
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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