An engaging and topical tale of politics and journalistic ethics with a feminist slant.
A successful journalist with a dark secret mentors an ambitious young reporter in this debut novel.
After an embarrassing career misstep and ugly breakup, 25-year-old Megan Barnes flees New York City and heads back home to the Chicago suburbs for a fresh start. But life in the Windy City isn’t without its complications. Her mother is running for Congress as a Republican, much to the dismay of her left-leaning daughter, and the single job interview Megan lands is a bust. At a rally against sexual assault, she tussles with an angry misogynist, capturing the attention of her personal hero, Jocelyn Jones, an icon of journalism “right up there with Diane Sawyer, Christiane Amanpour, and Leslie Stahl.” Soon, Megan has been hired to assist with PR for Jocelyn’s upcoming memoir, with the promise of a glowing recommendation and referral to an editor at the Chicago Tribune once the job is done. But when an anonymous Twitter user starts hinting about a scandal in Jocelyn’s past, the devoted Megan discovers there’s more to her idol than it appears. In her book, Smith spins a brisk, engrossing tale about an idealistic, occasionally naïve woman who finds her neat assumptions about the world challenged by a messy reality. Megan’s relationship with her overprotective, conservative mother is believably fraught, and her desire to find a strong female role model in Jocelyn is palpable. The author tackles weighty topics, including abortion and the right/left political divide, with grace and finesse. Despite their differences, Megan and her mother are ultimately able to find a common ground. Meanwhile, Jocelyn’s liberal bona fides can’t hide her rotten core. While the idea that a few vague tweets would prompt a full-blown “crisis which could damage” Jocelyn’s reputation and prompt a “horde of reporters” to camp out on her doorstep seems a stretch, Smith manages to sell it. Ultimately, Megan learns an important lesson for anyone, journalist or not: There’s a danger in making judgments based on feelings rather than cold, hard facts.
An engaging and topical tale of politics and journalistic ethics with a feminist slant.Pub Date: March 8, 2022
ISBN: 978-1-64538-262-1
Page Count: 356
Publisher: Ten16 Press
Review Posted Online: July 9, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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