A funny, tender, unexpected—though somewhat flimsy—bildungsroman.
Vi Liu, the daughter of a Taiwanese father and white mother, navigates relationships, identity, and her early 20s in this touching, absurd debut novel.
Reeling from the breakup of a two-year relationship with Luke Meyer, who gave her a “taste of what it felt like to be normal,” Vi is spiraling. She’s dropped out of college, missed the Peace Corps application deadline, and works at the front desk of a Holiday Inn–esque hotel. Her oft-flooding basement apartment, where she spends most of her time off, is grimy, strewn with dirty laundry and rotting leftovers. On a night out with her co-worker and her co-worker’s estranged high school friend, Vi discovers a blob next to the trash cans in the alley behind the bar. Drunk and panicking, both terrified and curious, Vi takes the blob home. Soon, to her confusion, she discovers that the blob is sentient; it breathes and eats. Increasingly, Vi realizes she can mold and shape the blob: She tells it to grow a hand, then a neck, and it does, growing into a body that looks like a handsome, generic-looking movie star. At first, Blob follows Vi’s commands, but as he becomes increasingly human, his desires shift accordingly; he feels trapped, and Vi’s plan to create her perfect boyfriend inevitably backfires. Interspersed with this comic story are vignettes of Vi’s troubled childhood—she was awkward, perpetually friendless, unlikable. These characteristics are supposed to explain why she is the way she is today: friendless, temperamental, quick to anger, a heavy drinker, sadistically self-deprecating. At times, these traits are humanizing and relatable, though they often feel too heavy-handed: “All the mistakes I made because I wanted to prove to myself what I never fully believed: that I belonged, that I was worthy.”
A funny, tender, unexpected—though somewhat flimsy—bildungsroman.Pub Date: Jan. 28, 2025
ISBN: 9780063358645
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
PERSPECTIVES
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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