A well-curated collection of Asian American and Pacific Islander heroes.
An illustrated compendium of extraordinary Asian Americans and Pacific Islanders.
The book pairs stylized portraits of each of the individuals featured with short paragraphs about their lives. Ranging from relatively lesser-known historical figures like Wong Kim Ark, a Chinese immigrant to the United States whose fight for citizenship set a precedent for over 100 years of future immigration law, and moving on to modern celebrities like wrestler-turned-actor Dwayne “The Rock” Johnson and actor, writer, and producer Mindy Kaling, the collection includes a variety of Asian American and Pacific Islanders who influenced American history, politics, music, sports, and popular culture. This variety is not just limited to career choices; the book also features disabled individuals like activist Alice Wong and Sen. Tammy Duckworth, biracial individuals like Johnson and Vice President Kamala Harris, and individuals from ethnic groups that are often overlooked in American history, including Bangladeshis, Thailanders, Filipinos, Marshall Islanders, and Native Hawaiians. (The text does not specify whether anyone featured identifies as queer or trans.) Throughout, the prose is clear, concise, and well crafted, incorporating details that will enthrall young readers. Since there is no introduction providing context, the jump right into descriptions feels slightly abrupt. Overall, though, the book is a thoughtful and comprehensive survey of the ways in which Asian Americans and Pacific Islanders have shaped, and will continue to shape, the United States. (This book was reviewed digitally.)
A well-curated collection of Asian American and Pacific Islander heroes. (Picture-book collective biography. 6-10)Pub Date: April 18, 2023
ISBN: 978-0-593-52543-2
Page Count: 32
Publisher: Viking
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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