An intimate, compelling portrait of a woman under psychological tension.
Driving down a dark, lonesome interstate, Alma is finally alone, finally away from her husband, Asa, and their two small children. Will she do the unthinkable and really abandon them?
The wife of a college professor, Alma spends her days tending to their fairy tale–like Vermont farmhouse and raising Eden and Phin, making sure their furnishings are a bit shabby chic and their days are spent mostly outside, limiting screen time and creating meals from their garden and chicken coop. From the outside, Alma is a picture-perfect version of the organic goddess extolled by Instagram influencers. She’s even an artist who dabbles in painting neo–Bloomsbury Group scenes. She considers writing and illustrating a children’s book with a rather lucrative contract but frets over the environmental waste inherent in the project—after all, how many of these books will be printed? Who will even read them? In her spare time, precious hours stolen in the nighttime while her family sleeps, Alma is working on a book that will show she's a serious artist. A meditation on the myths about maternal domestic work, Alma’s book will star a woman she calls Celeste, who will rise above all of the lies to become the perfect mother. She models Celeste on a woman whose social media accounts offer Alma a window into the life she desires. And somewhere along the line, Alma becomes alarmingly obsessed with the fake Celeste. Goodman devastatingly charts Alma’s anxieties about being a good-enough mother, a good-enough spouse to take to cocktails and dinner with colleagues, a good-enough advocate of all the trendy issues, including climate change and gun control, public versus private schools, organic versus micronutrient-dense foods. The tension builds, pushing Alma to plan her escape, but her journey forces her to face reality outside the filters afforded by social media.
An intimate, compelling portrait of a woman under psychological tension.Pub Date: Aug. 11, 2020
ISBN: 978-1-57131-136-8
Page Count: 160
Publisher: Milkweed
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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