by Mako Idemitsu translated by Juliet Winters Carpenter ‧ RELEASE DATE: Oct. 11, 2016
Although it ends on a half-heartedly optimistic note, the novel leaves a bitter aftertaste of unresolved anger.
Idemitsu has written an autobiographical first novel about a young Japanese woman who comes to America to study and stays to marry, raise a child, and find her identity as a woman caught between two cultures.
The four daughters of extremely wealthy Japanese businessman Morimasa Morimoto grow up believing it is “their duty to devote themselves to him” although he and his wife, Sadako, pay them little attention. The eldest, smartest daughter, Hiroko, moves to New York promising to become a successful artist. The second and third daughters, sweet, pretty Eiko and the usually hostile Fusako, marry to please their father. While Idemitsu moves frequently into flashbacks to flesh out the stories of the individual Morimoto women and show the ways in which each is emotionally damaged, the novel primarily focuses on the evolution of introverted youngest daughter Sakiko. While attending college at UCLA in 1964, she meets Paul, an artist and teacher. When she becomes pregnant, she reluctantly has the baby to keep Paul in her life although she fears her family’s reaction. She marries Paul in a passive trance before the baby’s birth. Her sisters in Japan voice their disapproval, her mother doesn’t respond at all, but her father sends cash. Having a baby, Sakiko feels needed for the first time. She tries to navigate the seemingly hostile white American world while remembering various painful moments from her Japanese childhood, including her mother’s neglect, Fusako’s cruelty, and the instance of physical assault every coming-of-age story seems to require lately. Gradually she grows more independent (although family money means she's never at financial risk). Meanwhile, Paul’s character remains amorphous. He pursues an affair with Sakiko’s sister Hiroko, perhaps the novel’s most fragile character, whose desire to please her father overwhelms whatever artistic talent she may have. Yet he genuinely seems to care for Sakiko and wants her to grow stronger, even admonishing her to learn to say “no.” Neither Sakiko nor the reader can tell if he is a womanizer with sensitive pretensions or someone more complex.
Although it ends on a half-heartedly optimistic note, the novel leaves a bitter aftertaste of unresolved anger.Pub Date: Oct. 11, 2016
ISBN: 978-1-63405-958-9
Page Count: 224
Publisher: Chin Music Press
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Aug. 2, 2016
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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IndieBound Bestseller
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
SEEN & HEARD
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