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ALL DESIRES KNOWN

More gender face-offs in Macdonald's latest talkathon, again set in a middle-class Irish, socially buoyant society at the turn of the century. Here, married or ex- couples probe and then take deadly aim with feelings—love, lust, jealousy, hatred—until it seems that all desires are at last known...maybe. Wealthy, generally nasty old Ebenezer O'Dea, wheelchair-bound and nursed by beautiful spinster Diana Powers, sees the possibility of mean sport in creating a human ``zoo'': He will buy Mount Venus, a mansion built in 1804, for a medical clinic to be presided over by rising young doctor Michael Raven. Raven's wife Lucy, mother of four, who's been innocently galloping through his money, will be the happy go-between. Meanwhile, Ebenezer stirs the cauldron: Diana, to be named at his insistence ``matron'' of the clinic, was once engaged to Raven and bore a son; Lucy had a tendre for Ebenezer's now-tamed nephew Dazzler O'Dea; and Diana is courted by architect Philip, once devoted to Lucy. Also arriving is the implausible stage-Irish Bridie Kelly, omnipresent spy for Ebenezer (she performs naughtier duties cheerfully enough). Bridie is also out for education, reading the Greats and drawing her own conclusions: ``The shortest distance between two points is not long enough to be worth looking at.'' There are jaunts, hanky-panky, and a long series of conversational battles with a dumping of British reticence (most are Catholic, all are Irish) until all is, if not sorted out, at least aired. But as Diana observes, this is not a play where problems are solved within hours; rather, ``This is real life—where people talk-talk-talk for years and years and nothing ever changes.'' Talk-talk-talk and much of it bright and appealing—though, overall, the whole is a shade less lively than Macdonald's feisty- lady portraits (A Woman Alone, 1991, etc.) or the gossipy Hell Hath No Fury (1992).

Pub Date: Jan. 1, 1994

ISBN: 0-312-10415-4

Page Count: 352

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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