Despite some vagueness and inconsistency, this visual treat could be surprisingly successful for self-soothing.
Feelings link with colors in conjunction with meditation techniques.
Children are enjoying a meadow. They’re chasing butterflies, examining ladybugs, eating ice cream, feeling the breeze, reclining on the grass. The racially diverse kids seem simultaneously peaceful and energized. Chopra connects physical sensations with emotions: “Have you ever felt butterflies in your stomach when you are scared…?” (The notion that butterflies might also indicate excitement is missing, though tingling hands could be such an indicator.) Asserting that “when you know how your body reacts to your feelings, you can control your reactions and feel powerful,” the text assigns a color for each feeling and a suggestion for control. Breath awareness is yellow. Red wafts through the scene about groundedness: “Feel your bottom resting under you. Do you feel how the chair or floor is strong and stable?” Readers who don't know their chakras may find some surprises. Coding safety as red is nonstandard in the U.S. (doesn’t red signal danger or stop?), as is, arguably, coding the heart-based feelings of happiness and sadness as green; these striking hue associations could be difficult to jump into—or they could be the hook. There’s some murkiness and irregularity in the connections among metaphor, physical sensations, and emotional feelings. However, Burton’s illustrations of swirling colors, keen-edged characters, just enough rainbows, and gently enchanting backgrounds—bananas and pie float through yellow’s “I am strong” spread—really do bring a sense of wonder and power.
Despite some vagueness and inconsistency, this visual treat could be surprisingly successful for self-soothing. (Picture book. 4-9)Pub Date: July 20, 2021
ISBN: 978-0-7624-9904-5
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
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