Despite some vagueness and inconsistency, this visual treat could be surprisingly successful for self-soothing.
Feelings link with colors in conjunction with meditation techniques.
Children are enjoying a meadow. They’re chasing butterflies, examining ladybugs, eating ice cream, feeling the breeze, reclining on the grass. The racially diverse kids seem simultaneously peaceful and energized. Chopra connects physical sensations with emotions: “Have you ever felt butterflies in your stomach when you are scared…?” (The notion that butterflies might also indicate excitement is missing, though tingling hands could be such an indicator.) Asserting that “when you know how your body reacts to your feelings, you can control your reactions and feel powerful,” the text assigns a color for each feeling and a suggestion for control. Breath awareness is yellow. Red wafts through the scene about groundedness: “Feel your bottom resting under you. Do you feel how the chair or floor is strong and stable?” Readers who don't know their chakras may find some surprises. Coding safety as red is nonstandard in the U.S. (doesn’t red signal danger or stop?), as is, arguably, coding the heart-based feelings of happiness and sadness as green; these striking hue associations could be difficult to jump into—or they could be the hook. There’s some murkiness and irregularity in the connections among metaphor, physical sensations, and emotional feelings. However, Burton’s illustrations of swirling colors, keen-edged characters, just enough rainbows, and gently enchanting backgrounds—bananas and pie float through yellow’s “I am strong” spread—really do bring a sense of wonder and power.
Despite some vagueness and inconsistency, this visual treat could be surprisingly successful for self-soothing. (Picture book. 4-9)Pub Date: July 20, 2021
ISBN: 978-0-7624-9904-5
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
A silly snack guaranteed to satisfy the funny bone; kids will eat it up and ask for more.
In this droll tale, ostensibly straightforward instructions are a recipe for absurdity.
To obtain the two slices of bread that a jelly sandwich calls for, a brown-skinned youngster named Frankie instructs readers to head to the store. But NOT to the bakery aisle! Instead, buy “one orange [traffic] cone, scuba flippers, and a yellow inner tube.” Using those items to fashion a duck disguise, you’ll score the bread from a brown-skinned elder feeding wildfowl in the park. And if the ducks see through your pretense, you might have to practice your “quack-cent.” Similar maneuvers are required to open the jelly jar: You’ll need peanuts, a playground with a “whirly-go-round,” and an elephant with a strong trunk grip. (But if the jar is carelessly opened upside down, you’ll get a “jellyphant.”) To spread the jelly, you must first scrub a dog in your bathtub. (Dip the clean tail in the jelly, then pet and praise the dog until it happily wags its tail over the bread slices.) Putting the slices together requires a knightly tournament, but cutting the sandwich, “the least complicated step of all,” involves training a hamster to ride a unicycle. The final pages propose an alternative (but just as outrageous) method and invite readers to think up their own ridiculous techniques. Burach’s scenarios are inventive and hilarious, while his exaggerated cartoon illustrations reinforce the delicious jokiness each step of the way.
A silly snack guaranteed to satisfy the funny bone; kids will eat it up and ask for more. (Picture book. 4-8)Pub Date: April 21, 2026
ISBN: 9781338877090
Page Count: 40
Publisher: Scholastic
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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