An involving and well-orchestrated thriller in which supernatural elements work comfortably alongside...
A psychic discovers a murder when she returns to her Midwest hometown.
“Epiphany couldn’t remember a time when they weren’t there,” O’Connor (American River: Confluence, 2018, etc.) writes about her main character in her latest novel, “the voices, the visions, the patterns of colored light that flickered around the bodies of her family and friends, the ghostly figures that came and went, appearing and disappearing, there and then gone.” Epiphany Mayall works in a spiritualist community in Watoolahatchee, Florida, and now she’s returning to her parents’ house in Mt. Eden, Ohio. She first left the town 40 years ago. Her memories of the place are conflicted—her father had called her psychic gifts “the Devil’s business”—and they grow more so as the plot advances. Epiphany is contacted by her old teacher Dr. John Bernhardt about the recent theft of a William Blake drawing from a local museum, and her parents tell her that localized earthquakes have been happening quite a lot recently, the result of a new fracking operation in the vicinity. And shortly after learning this, Epiphany receives another shock. Bernhardt has died, apparently of a heart attack—but then his ghost appears to tell her it was murder most foul. With this killing, the art theft, and the background disturbance of a shadowy fracking corporation, the elements of a solid psychic murder mystery are in place. O’Connor delivers on that promise with smooth readability throughout the tale. Epiphany quickly gathers allies, including an FBI art-crimes specialist, and enemies, some predictably connected with the fracking company and others perhaps with even deeper motives. The book’s central plot is powered by Epiphany’s personality, and the author does a seamless job of incorporating the exposition of the psychic’s sleuthing into the general narration without bogging things down. Likewise, Epiphany’s various supernatural abilities are portrayed with an appealing lack of fuss and histrionics—she’s been living with her gifts so long that readers will begin to share her comfort with the spiritual world. The result is a sure-footed, very enjoyable mystery novel.
An involving and well-orchestrated thriller in which supernatural elements work comfortably alongside ripped-from-the-headlines events.Pub Date: April 23, 2019
ISBN: 978-1-4808-7681-1
Page Count: 286
Publisher: Archway Publishing
Review Posted Online: June 14, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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