A well-paced historical soap opera.




O’Connor (American River: Tributaries, 2017, etc.) returns with the second volume of her trilogy about three California families (the McPhalans, the Moraleses, and the Ashidas) whose members’ lives have repeatedly intersected over the past century.

This novel picks up in 1963, just after the tragic death of Julian McPhalan, which marked the end of the series opener. Kate McPhalan is now married to Carl Fitzgerald (née Carlos Estevan Morales), a trained symphony conductor in San Francisco. Owen McPhalan, the family patriarch and owner of the Mockingbird Valley Ranch, is a representative in the state legislature in Sacramento. Marian, his ex-wife and the mother of the three McPhalan children, is an aspiring artist in Boston. In Cleveland, the youngest McPhalan, Alexandria, nicknamed “Alex,” is studying concert piano under the tutorship of Hungarian musical genius Stefan Molnar. After Alex leaves Boston, Marian moves to New York City, where she finds a warm reception for her paintings. Meanwhile, Tommy Ashida is spending a semester in Japan, having been chosen to participate in an international studies program in architecture at the University of Kyoto. Tommy’s father once worked at Owen’s ranch, and Tommy and Kate had once been a couple. In Kyoto, Tommy meets Emiko Namura, and, for the first time since his relationship with Kate, falls in love again. O’Connor follows her characters from January 1963 to May 1970, constantly moving the action from one location to another—California, Ohio, New York, Japan, and Mexico. Many of the central characters suffer from some sort of artistic angst, and the narrative is fully loaded with fragile egos, overwrought emotions, and selfish preoccupations. In this atmosphere, Kate’s general stability is welcome relief, even as she wrestles with a few demons of her own. The complex relationships and family crises effectively parallel the turbulence of the era that provides the backdrop for addictive melodrama. A fight to establish a farm workers union, as well as references to the Vietnam War and the 1970 Kent State shootings, establish an underlying layer of tragedy. Still, the deaths of multiple characters will come as a surprise to readers.

A well-paced historical soap opera.

Pub Date: March 5, 2018

ISBN: 978-1-4808-5885-5

Page Count: 450

Publisher: Archway Publishing

Review Posted Online: April 13, 2018

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A daring concept not so daringly developed.


In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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A love letter to the power of books and friendship.

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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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