Sephy is alone and pregnant living in an apartheid state. Her own father had her light-skinned lover Callum executed, and she’s despised by Callum’s brother Jude. In this racist society, where black-skinned Crosses subject white-skinned naughts to crushing racial prejudice, Sephy stands in a dangerous middle ground. She wants to raise her child in peace, but both naughts and Crosses condemn her, and Jude wants to exact revenge. Both Sephy and Jude cross race borders in their quests, Sephy joining a naught rock band and Jude romancing a liberal-minded Cross woman. As in Black and White (2005), the ideological message is heavy handed, somewhat shallow and inconsistent: Mixed-race children are either extremely rare, or common only on society’s margins; naughts claim a unique vernacular which is never used in the text; a Cross woman is portrayed as remarkably kind and intelligent with no exploration of how wealth and privilege make such traits easier to come by. The personal tragedies of Sephy and Jude’s lives in a broken world, however, are rich and genuine. (Fiction. YA)
Pub Date: July 24, 2007
ISBN: 978-1-4169-0018-4
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2007
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
A visceral, weighty read.
An unflinching portrayal of the complexities of one teenager’s journey through alcoholism and recovery.
Bella took her first drink when she was 11. Now she’s 15, and she and her friends have perfected the art of asking strangers outside liquor stores to buy them booze. It’s the best way to cope with her parents’ fighting, the grief and trauma of watching her beloved grandmother die, acting as a caregiver to her younger sister, and getting dumped by her first boyfriend, who said she was “too much.” A party a few weeks ago led to the drunken mess of a night known as Bella’s Extremely Unfortunate Public Downfall, after which her mom ruled: “no drinking, no parties.” But Bella’s parents are divorced, and when she’s staying with her permissive and inattentive dad, who’ll stop her? After Bella blacks out at a Thanksgiving party and her friends drop her on her mom’s stoop, she ends up hospitalized with alcohol poisoning and a broken face. Her mom sends her to an outdoorsy rehab center with a program focused on building self-awareness and self-reliance. Bella’s experiences with the program and her fellow residents are depicted with realistic nuance; nothing comes easily, and Glasgow carefully addresses relapses, anxiety disorder, self-harm, and death. After Bella’s treatment ends, she discovers that returning to her life may be the most significant challenge of all. Most characters are cued white.
A visceral, weighty read. (author’s note, resources) (Fiction. 14-18)Pub Date: Oct. 1, 2024
ISBN: 9780525708087
Page Count: 464
Publisher: Delacorte
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
PERSPECTIVES
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