A picaresque tale of personal conviction and compassion.
A disaffected German comes of age and sets out on a lifelong journey to discover himself through sex, drugs and, ultimately, spirituality in Mitze’s novel.
Walter Herzog was born in a small town outside of Frankfurt to an emotionally detached mother and a Nazi-sympathizing stepfather at the tail end of World War II. Teenage Walter and his pals come to school drunk and oversexed; eventually, they skip classes altogether to make out with girls and earn drinking money. Over the years, restless Walter finds himself loving numerous women. He gets drafted into the German military and relinquishes his service by claiming pacifism. Later, he discovers marijuana and finally settles with a beautiful girl, Hilde. But a stable relationship isn’t enough to stave off Walter’s mounting depression and intense desire to find meaning. When he and a friend visit the United States in the late 1960s, he falls in love with an unlikely place—Oklahoma City—where he encounters psychedelic drugs. He moves there with Hilde to open a restaurant, before returning to Frankfurt, addicted to psychedelics. One summer, while living with Hilde at his parents’ home in Germany, Walter has an epiphany: “People he knew or heard of had gone to the East…and seemed different when they returned.” So he and Hilde bus through Budapest, Athens, Turkey and the Middle East to India, where Walter marvels over “how people survived their daily struggle in apparent chaos under harsh conditions.” Later, on a depressive whim, he also visits the Far East, briefly living in a commune and practicing meditation to help him come to terms with his new life as a father and published author. The bulk of Walter’s life, roughly 50 years, is relayed largely through exposition, resulting in dry prose that rarely slows to capture the intense emotions of, for example, Walter’s first sexual encounter or his decision to visit India. Regardless, the book’s dozens of concise chapters, characters and exotic locales—not to mention Walter’s spontaneity—make for a profoundly engaging and unpredictable plot. In Walter, Mitze has created a counterculture-era Siddhartha, a nomadic soul who discovers unexpected meaning in home, friendship and rock ’n’ roll.
A picaresque tale of personal conviction and compassion.Pub Date: March 14, 2013
ISBN: 978-1481141659
Page Count: 424
Publisher: CreateSpace
Review Posted Online: April 18, 2013
Review Program: Kirkus Indie
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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