A picaresque tale of personal conviction and compassion.
A disaffected German comes of age and sets out on a lifelong journey to discover himself through sex, drugs and, ultimately, spirituality in Mitze’s novel.
Walter Herzog was born in a small town outside of Frankfurt to an emotionally detached mother and a Nazi-sympathizing stepfather at the tail end of World War II. Teenage Walter and his pals come to school drunk and oversexed; eventually, they skip classes altogether to make out with girls and earn drinking money. Over the years, restless Walter finds himself loving numerous women. He gets drafted into the German military and relinquishes his service by claiming pacifism. Later, he discovers marijuana and finally settles with a beautiful girl, Hilde. But a stable relationship isn’t enough to stave off Walter’s mounting depression and intense desire to find meaning. When he and a friend visit the United States in the late 1960s, he falls in love with an unlikely place—Oklahoma City—where he encounters psychedelic drugs. He moves there with Hilde to open a restaurant, before returning to Frankfurt, addicted to psychedelics. One summer, while living with Hilde at his parents’ home in Germany, Walter has an epiphany: “People he knew or heard of had gone to the East…and seemed different when they returned.” So he and Hilde bus through Budapest, Athens, Turkey and the Middle East to India, where Walter marvels over “how people survived their daily struggle in apparent chaos under harsh conditions.” Later, on a depressive whim, he also visits the Far East, briefly living in a commune and practicing meditation to help him come to terms with his new life as a father and published author. The bulk of Walter’s life, roughly 50 years, is relayed largely through exposition, resulting in dry prose that rarely slows to capture the intense emotions of, for example, Walter’s first sexual encounter or his decision to visit India. Regardless, the book’s dozens of concise chapters, characters and exotic locales—not to mention Walter’s spontaneity—make for a profoundly engaging and unpredictable plot. In Walter, Mitze has created a counterculture-era Siddhartha, a nomadic soul who discovers unexpected meaning in home, friendship and rock ’n’ roll.
A picaresque tale of personal conviction and compassion.Pub Date: March 14, 2013
ISBN: 978-1481141659
Page Count: 424
Publisher: CreateSpace
Review Posted Online: April 18, 2013
Review Program: Kirkus Indie
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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