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Blood and Ash

A hearty introduction to a world of magic and its equally enchanting inhabitants.

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An MIT student with untapped power may play an essential role in a centurieslong war between otherworldly coalitions in this debut supernatural fantasy novel.

Ashley “Ash” Drake escapes his rather uneventful life at MIT with video games. So when a voice in his head and image on his computer screen tell him he possesses unrealized potential, Ash sees the chance for an amazing opportunity. A mysterious package arrives, and equipment inside (for example, virtual reality goggles) starts him on his training—to harness magic. Later, the man from Ash’s screen, whom the student dubs the Wizard, shows up with a history lesson: some children are born of evil (the Touched) and others are good (the Blessed). Both sides have been warring for as long as anyone can remember and searching for the foretold Blessed One, a powerful boy who will drive back an impending darkness. The Wizard, unsure if Ash is the Blessed One, helps the MIT senior, who uses a gemstone eventually affixed to a wand, develop his abilities. Ash then heads to Las Vegas to find “Smiling Jack” Porter, who can use his gift of premonition to locate Sinthia Greyson, an apparent target of the Touched. Touched fiend Nihalus may be looking for Sinthia. He wants to get his clawed hands on a crucial relic, the Sangrian Map. Despite exploiting familiar traits of sorcerers (wands and cloaks), Perez ultimately reveals much more of the Blessed and Touched. A significant back story, including a lengthy but riveting section on young Jack learning he can see the future, never slows the narrative down. Most details aren’t clear until near the end, such as the importance of both Ash and Sinthia, but the mystery’s intriguing enough to retain momentum until the rousing final act. It’s a shame that Touched recruit Sarah Blake, who ominously whispers to potential victims, “I might not be good for you,” is not in the book more. This, however, is clearly the beginning of something bigger, so there’s fortunately the prospect of seeing Sarah again. Humor’s minimal but memorable, particularly Ash’s determination to further his training, which is offset by the Wizard’s insistence that he first put on his pants.

A hearty introduction to a world of magic and its equally enchanting inhabitants.  

Pub Date: April 15, 2016

ISBN: 978-0-9975072-0-1

Page Count: 286

Publisher: CreateSpace

Review Posted Online: June 15, 2016

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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THE ODYSSEY

More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’...

Fresh version of one of the world’s oldest epic poems, a foundational text of Western literature.

Sing to me, O muse, of the—well, in the very opening line, the phrase Wilson (Classical Studies, Univ. of Pennsylvania) chooses is the rather bland “complicated man,” the adjective missing out on the deviousness implied in the Greek polytropos, which Robert Fagles translated as “of twists and turns.” Wilson has a few favorite words that the Greek doesn’t strictly support, one of them being “monstrous,” meaning something particularly heinous, and to have Telemachus “showing initiative” seems a little report-card–ish and entirely modern. Still, rose-fingered Dawn is there in all her glory, casting her brilliant light over the wine-dark sea, and Wilson has a lively understanding of the essential violence that underlies the complicated Odysseus’ great ruse to slaughter the suitors who for 10 years have been eating him out of palace and home and pitching woo to the lovely, blameless Penelope; son Telemachus shows that initiative, indeed, by stringing up a bevy of servant girls, “their heads all in a row / …strung up with the noose around their necks / to make their death an agony.” In an interesting aside in her admirably comprehensive introduction, which extends nearly 80 pages, Wilson observes that the hanging “allows young Telemachus to avoid being too close to these girls’ abused, sexualized bodies,” and while her reading sometimes tends to be overly psychologized, she also notes that the violence of Odysseus, by which those suitors “fell like flies,” mirrors that of some of the other ungracious hosts he encountered along his long voyage home to Ithaca.

More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’ recent translations of Homer; still, a readable and worthy effort.

Pub Date: Nov. 7, 2017

ISBN: 978-0-393-08905-9

Page Count: 656

Publisher: Norton

Review Posted Online: Sept. 3, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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