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Blood and Ash

A hearty introduction to a world of magic and its equally enchanting inhabitants.

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An MIT student with untapped power may play an essential role in a centurieslong war between otherworldly coalitions in this debut supernatural fantasy novel.

Ashley “Ash” Drake escapes his rather uneventful life at MIT with video games. So when a voice in his head and image on his computer screen tell him he possesses unrealized potential, Ash sees the chance for an amazing opportunity. A mysterious package arrives, and equipment inside (for example, virtual reality goggles) starts him on his training—to harness magic. Later, the man from Ash’s screen, whom the student dubs the Wizard, shows up with a history lesson: some children are born of evil (the Touched) and others are good (the Blessed). Both sides have been warring for as long as anyone can remember and searching for the foretold Blessed One, a powerful boy who will drive back an impending darkness. The Wizard, unsure if Ash is the Blessed One, helps the MIT senior, who uses a gemstone eventually affixed to a wand, develop his abilities. Ash then heads to Las Vegas to find “Smiling Jack” Porter, who can use his gift of premonition to locate Sinthia Greyson, an apparent target of the Touched. Touched fiend Nihalus may be looking for Sinthia. He wants to get his clawed hands on a crucial relic, the Sangrian Map. Despite exploiting familiar traits of sorcerers (wands and cloaks), Perez ultimately reveals much more of the Blessed and Touched. A significant back story, including a lengthy but riveting section on young Jack learning he can see the future, never slows the narrative down. Most details aren’t clear until near the end, such as the importance of both Ash and Sinthia, but the mystery’s intriguing enough to retain momentum until the rousing final act. It’s a shame that Touched recruit Sarah Blake, who ominously whispers to potential victims, “I might not be good for you,” is not in the book more. This, however, is clearly the beginning of something bigger, so there’s fortunately the prospect of seeing Sarah again. Humor’s minimal but memorable, particularly Ash’s determination to further his training, which is offset by the Wizard’s insistence that he first put on his pants.

A hearty introduction to a world of magic and its equally enchanting inhabitants.  

Pub Date: April 15, 2016

ISBN: 978-0-9975072-0-1

Page Count: 286

Publisher: CreateSpace

Review Posted Online: June 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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