by Mara Bergman & illustrated by Marjolein Pottie ‧ RELEASE DATE: Oct. 1, 2002
A trio of tots keeps a weary Dad running in this tale of nocturnal wanderings. A shivery shadow dancing across a wall, the whispering of the wind through the trees causes two of the children to sound out the evening alarm. Yet not even Daddy’s comforting words can calm the frightened sisters and soon they are scurrying for the safe haven of their parents’ bed. What’s a dad to do when his bed is full of sleeping offspring? Nothing but hunker down in a pint-sized bunk bed and make the best of it. When a driving need for companionship sends the last tot scampering into the tiny bed with Dad, Dad knows it’s time for everyone to go back where they belong. By the time Mom returns home, all of her loved ones are snuggled up in their own beds just where they belong. Like her readers, the children of Bergman’s tale know that Mom and Dad’s bed offers sanctuary to every timid or lonely little soul. Her whimsical descriptions of the tykes snoozing in their beds, “quiet as a carrot,” “cozy as a caterpillar,” and “snug as a snail,” are bound to elicit giggles. Newcomer Pottie’s vividly hued illustrations are a vibrant counterpoint to the text. Her cartoon-style characters fill the pages with a benign, amiable presence. Perfect to share just before toddling off to the right bed. (Picture book. 3-7)
Pub Date: Oct. 1, 2002
ISBN: 0-689-84463-8
Page Count: 32
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: March 1, 2022
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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by Tom Percival ; illustrated by Tom Percival
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by Anna Dewdney ; illustrated by JT Morrow ‧ RELEASE DATE: Nov. 17, 2020
A rite of passage seen through the lens of a favorite literary pal.
Llama Llama loses a tooth for the first time.
All of the wiggling can make having a loose tooth fun, but there can be some worry, too. How will it fall out? There is a tooth fairy? What does she do? Llama Llama is distressed. “Is it fun? / Or is it scary? / Just who, exactly, / IS this Fairy?” Luckily, Mama is there to help. “The Fairy’s great. She’s kind and funny. / She takes your tooth / and leaves you money.” Llama Llama is on board with that! Appropriately, exactly how much money is never specified, but the tiny llama fairy is shown carrying a bag stuffed with bills. Hopefully she has many houses to visit. Gram and Grandpa have lots of ideas on how to get the tooth to fall out, but Llama’s tooth stays put until bedtime. Suddenly, Llama realizes his tooth is gone: “OH NO. / Where is that tooth? / Where did it GO?” Will the tooth fairy come if the tooth is lost? The comforting cadence of the rhymes paired with warm, textured hues soften all the drama. As in the other posthumously published Llama Llama books, Morrow’s textured paintings emulate Dewdney’s definitively lined renderings. The fluttering llama fairy, along with Llama’s stuffed llama, whose wide eyes notice all, will delight eagle-eyed readers. (This book was reviewed digitally with 10.3-by-20-inch double-page spreads viewed at 41.8% of actual size.)
A rite of passage seen through the lens of a favorite literary pal. (Picture book. 3-6)Pub Date: Nov. 17, 2020
ISBN: 978-0-593-20603-4
Page Count: 40
Publisher: Viking
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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