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JOURNEYMAN

Bojanowski’s novel is layered and thoughtful but aspires to heights it doesn’t quite reach.

A rootless carpenter searches for home in Bojanowksi’s second novel (The Dog Fighter, 2004).

After witnessing a serious accident on the job, journeyman carpenter Nolan Jackson ditches Las Vegas, leaving behind a promising, if casual, relationship with dental hygiene student Linda, to head west. A second accident—this one involving his Airstream trailer—forces Nolan, 31, to take up residence with his semiestranged older brother, Chance, now living beyond his means in a small town in Sonoma County. Whereas Nolan is a stoic (and serial) wanderer in a Western hat, his disheveled brother is a conspiracy-minded journalist who has long operated under the name Cosmo Swift. Cosmo, it’s quickly apparent, is losing it: his wife has left him, and he spends his days hammering away on his computer, “extrapolating the geopolitical ramifications of an obscure naval battle” between Russia and Japan in 1905. Meanwhile, someone has taken to burning down old houses in the town, and Nolan worries Cosmo may have something to do with it. Bojanowski aims high here. The story is set in 2007, during the U.S.’s dual engagements in Afghanistan and Iraq, and Nolan’s decision not to enlist, despite his father’s service in Vietnam, weighs heavily on him. A bevy of well-rendered secondary characters brings humor and heart to the proceedings. Ultimately, though, the parts here don’t add up to a satisfying whole. While Nolan makes a fine protagonist, Cosmo is allowed too much real estate to ramble, and Linda, given her ultimate significance to the plot, is underwritten. Meanwhile, the ending may strike readers as too tidy, a maudlin coda to a story that is otherwise admirably complex.

Bojanowski’s novel is layered and thoughtful but aspires to heights it doesn’t quite reach.

Pub Date: Feb. 14, 2017

ISBN: 978-1-59376-661-0

Page Count: 224

Publisher: Soft Skull Press

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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