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THE OFFICERS’ WARD

Curiously light, an herbal teacup of the grim horrors drunk by the gallon by predecessors long ago.

First-novelist Dugain’s return to WWI, winner of the Prix des Libraires, offers quietly extended moments of seeming authenticity, then ends not in ashes but in soap.

In 1914, Adrian Fournier is 24, a civil engineer—and an officer. In his first day at the front, before the fighting has really even begun, he’s told to scout for locations along the Meuse where bridges can be built—but he doesn’t get far. Just as he’s gotten off his horse, the two men with him are killed and he himself is wounded hideously, never having even seen the enemy. His injury is “maxillofacial,” a wound to the face—or, more exactly, the loss of the whole center part of his face. He becomes the first patient in the wing of the Val de Grâce military hospital set aside for officers with this dreadful type of wound. There he’ll stay for the duration, in fact until April of 1919, undergoing a total of 16 operations (though his face “still did not look human”) and pondering how to go on with life afterward. As the ward fills, he becomes a kind of respected senior figure along with two others—Weil and Penanster—who remain patients as long as he does and with whom he becomes lifelong friends. There’s a woman in the picture also—Fournier met her only once, the night before he went to the front. Will she remember him? Will his appalling wound make love impossible? Weil counsels that sexual love is over for men with wounds like theirs—but could he be wrong? The love melodrama, though, poses fewer troubles for the reader than does the inexplicable good cheer of these ruined men, fêted by the state apparatus that even now still hasn’t embittered them (“It was a great day, and I came away convinced that this had indeed been the war to end all wars”).

Curiously light, an herbal teacup of the grim horrors drunk by the gallon by predecessors long ago.

Pub Date: Nov. 1, 2001

ISBN: 1-56947-265-3

Page Count: 144

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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