by Marc Eliot ‧ RELEASE DATE: Sept. 18, 2012
A fleeting account of ambition tempered by experience, with special emphasis on reconciling past and present and finding a...
Celebrity biographer Eliot (Steve McQueen, 2011, etc.) highlights American actor and producer Michael Douglas, considering his life and career through a competitive lens.
The author proposes that Douglas was driven by both his parents’ divorce and his legendary father Kirk’s career—the son constantly sought to emerge from his father’s shadow. In addition to covering Kirk’s formative years as the child of Russian Jewish immigrants and his journey in Hollywood, Eliot examines Michael’s struggles and successes, his personal and professional relationships (with emphasis on his marriage to Catherine Zeta-Jones as the height of his personal life) and his diagnosis and recovery from cancer. References to his father, replete with discouraging remarks, punctuate the narrative in sometimes heavy-handed ways, though Eliot concludes by surmising an eventual peace between father and son. Readers seeking a deep, insightful examination of the actor will likely be disappointed, and casual, lazy descriptions hamper the writing. Of the role played by Melanie Griffith in Shining Through, Eliot remarks that her character “…is spying for America in the heart of Berlin during World War II and [is] somehow able to slip in and out of Germany more easily than a teenage hottie gets past security at a Justin Bieber concert.” Of Sharon Stone’s memorable turn in Basic Instinct: “One quick flash of her pubic hair would make her a star—if not at the morning-after water coolers, like Fatal Attraction, then in the night-before wet dreams of the film’s vast male viewers.” Despite such moments, film buffs will appreciate chapters on One Flew Over the Cuckoo’s Nest, the Oscar-winning film Douglas co-produced, as well as behind-the-scenes glimpses of such popular fare as Romancing the Stone and mentions of other stars, from Jack Nicholson to Danny DeVito.
A fleeting account of ambition tempered by experience, with special emphasis on reconciling past and present and finding a renewed sense of family.Pub Date: Sept. 18, 2012
ISBN: 978-0-307-95236-3
Page Count: 400
Publisher: Crown Archetype
Review Posted Online: July 6, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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