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FIRE STORM

A handful of American drug-enforcement agents and their Green Beret defenders slug it out with hundreds of Cuban regulars and Shining Path guerrillas in the cocaine country of the Peruvian highlands. Naval veteran Iverson (Persian Horse, 1991) can't resist bringing in a battleship to help out. It's the near, post-Soviet future and Congress's long knives are out, flensing America's military with a vengeance. National Security Advisor Ruth Campbell, a Jeane Kirkpatrick type (but, you know, attractive), is about the only high-level official fighting to keep the might in the Pentagon—but since the only current military action is the small, shadowy war against the South American drug industry, she's up against the wall. That little war, however, is about to erupt. Fidel Castro, having lost his Soviet bankers, has cut his country into the drug deal and stands to lose cash flow if Peruvian-American efforts root out the coca farmers and dealers, so he commits his well-trained army to an alliance with the Maoist maniacs of the Shining Path. In conjunction with an attempted coup, the Communists launch an all-out surprise attack on an army base camp and on a satellite base manned by DEA agents. The good guys are quickly reduced to a naval patrol boat skippered by a Samoan chief, a few embarrassed drug agents, and some very angry Special Forces. The Andean guerrillas and Maria, their fanatical female leader, smell a bloody victory; the Cubans and their colonel aren't so sure. The Americans usually have a few technogadgets up their sleeves. And, indeed, the about-to-be-mothballed battleship Missouri, on its final South Pacific cruise, just happens to be carrying some very smart weapons. Techno-thrills take a backseat to rousing, low-tech heroics and unusual battle scenes. Big bangs for the buck.

Pub Date: Aug. 26, 1992

ISBN: 0-517-58311-9

Page Count: 368

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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