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THE COUNTERCLOCK PROPHECY

From the Counterclock series , Vol. 1

A sci-fi mind-stretcher with a strong opening that spirals down confusing pathways.

Via time travel, two siblings are whisked away from an Earth apocalypse in 2016 to a distant-future space station—where they discover they may be the key to saving the world. 

In this debut YA novel, high school freshman Emily Clocke and her older brother, Eric— children of a pair of scientists—have unhappily relocated from California to Chicago after their father perished in a lab accident. Her feelings of dislocation are complicated by a science teacher, Ms. Crana, who seems suspiciously attentive to Emily. But a larger crisis looms on the horizon, literally, with the sky changing unnatural colors. Suddenly Eric and Emily are transported from all that they know by Ms. Crana, who claims they are the children of time travelers who lost their memories during an Earth mission. Now the Clocke kids are 500 years in the future at a space station called Caelestis. Earth is a barren rock and its only human descendants are on Caelestis, enhanced physically and mentally by nanotechnology. They call themselves the Remnant and dwell as ultra-logical telepaths and time travelers, troubled by the fact that historical records have been expunged of everything about Earth’s catastrophe. But the Remnant does maintain a quasi-religious “Prophecy” that two visitors will set everything right, and many interpret Emily and Eric as these saviors. As such, the siblings are pretty much allowed to do whatever they want, including maladroit attempts to take “timeships” back to 2016 to see the Earth cataclysm. Can they stop it? Let’s just say the protagonists’ temporal problem-solving would not earn good grades from Doctor Who, as the repeated crisscrossing time zones, snarled cause/effect overlaps, and predestination paradoxes make previous mind-expanding sci-fi material that ventured into such territory (like the films Donnie Darko, 12 Monkeys, and Prime) seem like models of linear storytelling. Mattson’s ambitious time-travel adventure offers an intriguing setup. But the tale ties Möbius strips into pretzels with its plotting. The questions only multiply, as one character says: “I don’t know what any of this means! I don’t know what will happen if I do something differently! Nobody does!” Which may be true, but which leaves a whole lot unexplained by the last page (a sequel is promised). While pitched at a tween to teen readership, adults won’t feel condescended to; it’s pretty puzzling for all ages.

A sci-fi mind-stretcher with a strong opening that spirals down confusing pathways.

Pub Date: March 16, 2018

ISBN: 978-1-73203-060-2

Page Count: 322

Publisher: Marley-Goeste

Review Posted Online: Dec. 20, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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