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CHILDREN OF THE EARTH

LITERATURE, POLITICS, AND NATIONHOOD

Shell (Comparative Literature and English/Harvard) explores the relationship of kinship to nationhood by challenging the basic assumption that we can always know the identity of our true parents. In so doing, he speaks urgently but ploddingly—and unconvincingly—about fundamental human problems. By insisting that parental ties are always in doubt—that we all could have been switched at birth, for example—Shell reassesses the concept of family as a means of analyzing Western political and social thought from antiquity to the 20th century. He contrasts the seemingly attractive motto that ``all men are brothers''—a recurrent theme in Western thought—with what he perceives to be its inevitable corollary: that those who are not my literal or figurative brothers are ``others'' or animals, not human at all, and undeserving of the rights granted to brothers. This dialectic, he contends, is the source of nationalism and other inter-group antagonisms that are the eternal scourge of Western society. A parallel argument running through the book (made with particular force in discussions of Elizabethan England and pre-Revolutionary France) holds that the metaphor of universal brotherhood has led to a idea that may lie at the source of Western anxieties about sexuality: If everyone is my sibling, then any act of sexual intercourse is incestuous. Shell spans hundreds of years, looking at, among other scenarios, the Spanish Inquisition, America's Civil War, and contemporary, bilingual Quebec. He analyzes literature from Racine to Twain and draws upon a wide body of work by sociologists, anthropologists, theologians, historians, and others to support his theories. Hugely ambitious and erudite, but repetitive and full of academic jargon. Moreover, Shell's premise about the absolute uncertainty of parenthood, while technically accurate, denies common sense—and his theory falls to take into account fully the widely accepted scientific theory of the 'selfish' gene, which dictates that genes themselves, not ideas about kinship, determine human alliances and antagonisms.

Pub Date: May 1, 1993

ISBN: 0-19-506864-5

Page Count: 336

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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