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STAR OF LU°S

While addressing themes of identity, family history, racism, and coming of age, Talbert (Heart of a Jaguar, 1995, etc.) doesn’t focus enough on any one issue to give his book power. Attending school and Sunday mass, watching baseball games in the park, and hosing the clay off his father when he comes home from the brick factory are the routines that fill teenaged Lu°s’s life in East Los Angeles. Life changes dramatically, however, when his father joins the fighting ranks of WWII, and Lu°s’s mother receives news that her estranged father is dying. Coping with his father’s absence, Lu°s must also adjust to a new way of life when he moves to his mother’s childhood home in small Las Manos, New Mexico. It is hard for Lu°s to adapt to the simple farm life, but with the help of two uncles, he learns to love its charms. He also uncovers the truth about his family and their hidden Jewish heritage. While Lu°s grapples with a shifting sense of self, he and his mother return to Los Angeles where even more changes wait. Talbert skillfully draws contrasts between the city—with its sometimes simmering melting pot—and the more contained Las Manos; his knack for atmosphere, imagery, and characterization save the novel from its hastily developed themes and hurried, surface relationships. (glossary) (Fiction. 12-14)

Pub Date: March 22, 1999

ISBN: 0-395-91423-X

Page Count: 186

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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DAVID GOES TO SCHOOL

The poster boy for relentless mischief-makers everywhere, first encountered in No, David! (1998), gives his weary mother a rest by going to school. Naturally, he’s tardy, and that’s but the first in a long string of offenses—“Sit down, David! Keep your hands to yourself! PAY ATTENTION!”—that culminates in an afterschool stint. Children will, of course, recognize every line of the text and every one of David’s moves, and although he doesn’t exhibit the larger- than-life quality that made him a tall-tale anti-hero in his first appearance, his round-headed, gap-toothed enthusiasm is still endearing. For all his disruptive behavior, he shows not a trace of malice, and it’ll be easy for readers to want to encourage his further exploits. (Picture book. 5-7)

Pub Date: Sept. 1, 1999

ISBN: 0-590-48087-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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THE TIGER RISING

Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-7636-0911-0

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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