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QUALITYLAND

How much you enjoy this is in direct proportion to how much trouble you think we’re all in. Sleep tight.

An outcast in a supposedly utopian future tries to figure out what’s wrong with the world and how to fix it. Join the club.

Well, sure, why not? Kling, the author of a bunch of texts about living with a kangaroo that got translated into a podcast and then turned into three books (all in German, so Google Translate is your friend), enters mainstream author mode with this bitter satire of consumer culture and the modern political sphere. In this kind of book, there’s typically an ordinary guy to represent us, the reader—think Arthur Dent as opposed to Ford Prefect in The Hitchiker's Guide to the Galaxy. Our main guy here is Peter Jobless, although the point of view bounces around all over the place. Welcome to QualityLand, where everything, from your stuff to your love life, has been optimized for you by algorithm. If you couldn't tell from his moniker, Peter is a bit of a screw-up, just coming off a long-term relationship with Sandra Admin, who’s happily dumped him based on the admonishment of QualityLand's dating service, QualityPartner, which matched them up automatically in the first place. Black humor abounds: There's John of Us, the political candidate who happens to be an android, and TheShop, which essentially serves as the company store for the world. The interstitial bits—news bulletins, guidebook entries, and the inevitable comments section—are particularly funny and give context to QualityLand's odd rules and tics. Despite the novel's comic approach, the nature of the narrative is heavily political, holding up a black mirror to our own troubled times. In addition to the pitch-black political satire, the novel's portrayal of economic inequality highlights a problem that wreaks havoc on our own lives. The characters aren't particularly likable and the narrative is a bit unhinged, but these days, a little comic relief might do us all some good.

How much you enjoy this is in direct proportion to how much trouble you think we’re all in. Sleep tight.

Pub Date: Jan. 7, 2020

ISBN: 978-1-5387-3296-0

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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GIDEON THE NINTH

From the Locked Tomb Trilogy series , Vol. 1

Suspenseful and snarky with surprising emotional depths.

This debut novel, the first of a projected trilogy, blends science fiction, fantasy, gothic chiller, and classic house-party mystery.

Gideon Nav, a foundling of mysterious antecedents, was not so much adopted as indentured by the Ninth House, a nearly extinct noble necromantic house. Trained to fight, she wants nothing more than to leave the place where everyone despises her and join the Cohort, the imperial military. But after her most recent escape attempt fails, she finally gets the opportunity to depart the planet. The heir and secret ruler of the Ninth House, the ruthless and prodigiously talented bone adept Harrowhark Nonagesimus, chooses Gideon to serve her as cavalier primary, a sworn bodyguard and aide de camp, when the undying Emperor summons Harrow to compete for a position as a Lyctor, an elite, near-immortal adviser. The decaying Canaan House on the planet of the absent Emperor holds dark secrets and deadly puzzles as well as a cheerfully enigmatic priest who provides only scant details about the nature of the competition...and at least one person dedicated to brutally slaughtering the competitors. Unsure of how to mix with the necromancers and cavaliers from the other Houses, Gideon must decide whom among them she can trust—and her doubts include her own necromancer, Harrow, whom she’s loathed since childhood. This intriguing genre stew works surprisingly well. The limited locations and narrow focus mean that the author doesn’t really have to explain how people not directly attached to a necromantic House or the military actually conduct daily life in the Empire; hopefully future installments will open up the author’s creative universe a bit more. The most interesting aspect of the novel turns out to be the prickly but intimate relationship between Gideon and Harrow, bound together by what appears at first to be simple hatred. But the challenges of Canaan House expose other layers, beginning with a peculiar but compelling mutual loyalty and continuing on to other, more complex feelings, ties, and shared fraught experiences.

Suspenseful and snarky with surprising emotional depths.

Pub Date: Sept. 10, 2019

ISBN: 978-1-250-31319-5

Page Count: 448

Publisher: Tor

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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THE NIGHT CIRCUS

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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