Utterly compelling.
Cast into the political firestorm of an aspiring U.S. senator’s campaign, a Guatemalan immigrant teen grapples with her newfound notoriety.
It’s the end of Milagros Vargas’ senior year of high school in Corpus Christi, Texas. So far, aspiring marine biologist Millie’s accepted a spot at Stanford, although her mom doesn’t yet know this. As Millie became the second caretaker of her family after her father’s death, her mom expanded her housekeeping job for the Wheelers, an affluent White family. For Millie, Mr. Wheeler’s campaign for the U.S. Senate means her mom will be away from her family more, caring for the Wheelers’ young daughter. Then, the senatorial candidate highlights Millie and her family as examples of exemplary immigrants during a campaign speech, resulting in public support as well as hostility from internet trolls and anonymous haters. When someone sets the Vargas home on fire, they have no choice but to accept the offer to temporarily move in with the Wheelers, even as Millie finds herself inexplicably drawn toward their son, Charlie. Setting her story against the backdrop of a nameless, anti-immigrant White House administration, Mickelson does a remarkable job of plunging into complex issues with tremendous nuance. Millie’s acquired U.S. citizenship, after arriving as an undocumented asylum seeker, further complicates the discourse, raising stark questions around common debates about which immigrants “deserve” to be welcomed. Full of thought-provoking conversations, messy answers, and lots of heart, this novel’s a quiet knockout.
Utterly compelling. (Fiction. 12-18)Pub Date: Sept. 7, 2021
ISBN: 978-1-5415-9797-6
Page Count: 264
Publisher: Carolrhoda Lab
Review Posted Online: June 23, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
PERSPECTIVES
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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