A sharp, luminescent examination of a woman in decline.
Poet Slatkin (A Woman Milking, 2006, etc.) explores the years she spent caring for her elderly mother.
These poems span a four-year period during which Slatkin’s mother, in dwindling mental health, came to live with her. In free verse framed rhythmically by line and break, the poet’s spare voice effectively conjures both mood and setting. Each short poem evokes a very specific, immediate emotional tableau. Slatkin’s writing demonstrates resilience; she’s vulnerable without being weak. Her fraught relationship with her mother is on full display, as Alzheimer’s (“her memories crushed / by vengeful teeth / that grind treasure”) reignites former quarrels and misunderstandings. Some of Slatkin’s imagery can be haunting, such as when her mother’s medication is reduced—“She is a writhing spider, / all legs in pain”—or when her mother’s blue pills dissolve on her tongue unswallowed, running down her chin and leaving a Papuan tattoo. But the poet’s descriptions also display a wonderful tenderness: “[M]y mother’s breasts / emerge, still pink … And after donning / bra and snapping / straps in place, / she gathers them up / like scooping pliant / honey with a spoon.” Depictions of her mother’s hand, “its gnarled back spotted – / but its guileless palm / soft as a persimmon,” showcase an appreciation of frailty. Occasionally, Slatkin is indecisive, which spoils the effect of her lean lines: “with the inevitability / of a waterfall, / or the persistent tide.” Fortunately for readers, these instances are few and far between bouts of the sublime: “her heart-shaped face / held between my palms, / her eyes locked deeply / into mine, care is transmuted / as coal to diamonds.”
A sharp, luminescent examination of a woman in decline.Pub Date: May 1, 2012
ISBN: 978-1936205493
Page Count: 136
Publisher: Stephen F. Austin State University Press
Review Posted Online: April 20, 2012
Review Program: Kirkus Indie
A vivid sequel that strains credulity.
Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.
At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.
A vivid sequel that strains credulity.Pub Date: Feb. 11, 2020
ISBN: 978-1-982113-60-5
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 20, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
A straightforward tale of kindness and paying it forward in 1980s New York.
When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.
Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-4251-3
Page Count: 288
Publisher: Howard Books/Simon & Schuster
Review Posted Online: July 26, 2011
Kirkus Reviews Issue: Sept. 1, 2011
BOOK REVIEW
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