Period pop horror that will lure readers in for important history lessons.
With a dash of mid-20th–century pulp monsters and a backdrop of 1940s Los Angeles, Finnegan mingles humanoid swamp creatures with victory rolls and zoot suits to highlight Mexican American families struggling to hold their own.
Cuata is soft, petite, and keen to help others. Her sister, Flaca, on the other hand, is, as her name suggests, tall, lean, and angular with a short temper and a rebellious edge. Though their characters represent, respectively, traditionally feminine norms and those who push against them, all their traits are needed to save a new friend in need. When a night out in downtown LA turns violent amid the clashes of the Zoot Suit Riots, Cuata and Flaca escape with the help of a subterranean creature who is part man and part lizard with echoes of the “Creature From the Black Lagoon.” The creature follows them home, where Cuata discovers that he has been separated from his family, and the girls must work together to reunite them while evading Navy men and a mysterious man-in-black scientist who want to get to the creature first. Though the adventure is fast-paced and fun, themes of racism, colonialism, counterculture, and family are all explored. Backmatter includes historical context about the zoot suiters and the events that triggered the 1943 riots as well as insight into Finnegan’s creative process.
Period pop horror that will lure readers in for important history lessons. (Graphic science fiction/historical fiction. 12-18)Pub Date: Aug. 4, 2020
ISBN: 978-1-5415-8695-6
Page Count: 144
Publisher: Graphic Universe
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
A fast-paced dip into the possibility of a world without human emotions.
A teenage girl refuses a medical procedure to remove her heart and her emotions.
June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.
A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)Pub Date: June 13, 2023
ISBN: 9780063116214
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
BOOK REVIEW
BOOK REVIEW
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