Period pop horror that will lure readers in for important history lessons.
With a dash of mid-20th–century pulp monsters and a backdrop of 1940s Los Angeles, Finnegan mingles humanoid swamp creatures with victory rolls and zoot suits to highlight Mexican American families struggling to hold their own.
Cuata is soft, petite, and keen to help others. Her sister, Flaca, on the other hand, is, as her name suggests, tall, lean, and angular with a short temper and a rebellious edge. Though their characters represent, respectively, traditionally feminine norms and those who push against them, all their traits are needed to save a new friend in need. When a night out in downtown LA turns violent amid the clashes of the Zoot Suit Riots, Cuata and Flaca escape with the help of a subterranean creature who is part man and part lizard with echoes of the “Creature From the Black Lagoon.” The creature follows them home, where Cuata discovers that he has been separated from his family, and the girls must work together to reunite them while evading Navy men and a mysterious man-in-black scientist who want to get to the creature first. Though the adventure is fast-paced and fun, themes of racism, colonialism, counterculture, and family are all explored. Backmatter includes historical context about the zoot suiters and the events that triggered the 1943 riots as well as insight into Finnegan’s creative process.
Period pop horror that will lure readers in for important history lessons. (Graphic science fiction/historical fiction. 12-18)Pub Date: Aug. 4, 2020
ISBN: 978-1-5415-8695-6
Page Count: 144
Publisher: Graphic Universe
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
A fast-paced dip into the possibility of a world without human emotions.
A teenage girl refuses a medical procedure to remove her heart and her emotions.
June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.
A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)Pub Date: June 13, 2023
ISBN: 9780063116214
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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