by Marcus Ewert ; illustrated by Susie Ghahremani ‧ RELEASE DATE: July 7, 2020
Not necessarily just for Halloween; readers can appreciate it any time.
Which cottage would stand out more in a real estate ad: cute or…haunted?
Clarissa the sentient cottage dislikes cuteness; as a pink, adorable haven for flowers and squirrels, she’s bored. She yearns to be scary and haunted like her father, a gloomy castle, and her mother, a smelly, vermin-infested witch’s hut. Dad gladly donates clouds but tells Clarissa it’s OK to be herself. The clouds are a bust because they bring rain, which brings forth…a rainbow, plants, and birds. Mom supplies a reeking bottle whose contents allegedly repel living things. Clarissa opens it but…attracts playful dogs. Finally abandoning her desire for a ghostly boarder, Clarissa invites her animals to remain. At the end, a particular creature’s unexpected arrival—and its most uncharacteristic behavior—reveal Clarissa’s true nature: horrible and cute. And she’s just fine with that. This rhyming story is certainly an unusual take on the finding-oneself trope. The bouncy verses mostly read and scan well, include sophisticated vocabulary, and provide Clarissa with a spunky, appealing personality. Different typefaces represent the voices of Clarissa, each parent, and the narrator. The cheerful, lively illustrations are very colorful but a trifle twee; Clarissa and her parents are differentiated through vivid pinks, dreary shades, and anthropomorphic faces. Nature blossoms via bright depictions of flowers, trees, animals, and birds.
Not necessarily just for Halloween; readers can appreciate it any time. (Picture book. 4-7)Pub Date: July 7, 2020
ISBN: 978-1-68119-791-3
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Marcus Ewert ; illustrated by Lisa Brown
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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More In The Series
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
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by Adam Wallace ; illustrated by Christopher Nielsen
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by Adam Wallace ; illustrated by Andy Elkerton
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by Adam Wallace ; illustrated by Andy Elkerton
by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Aaron Reynolds ; illustrated by Cam Kendell
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by Aaron Reynolds ; illustrated by Cam Kendell
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