Bloated and unfocused—for die-hard Clash fanatics only.

READ REVIEW

ROUTE 19 REVISITED

THE CLASH AND LONDON CALLING

The 1979 punk classic gets a trainspotter’s treatment.

Having profiled the Clash in two editions of the group biography The Last Gang in Town, British music journalist Gray now turns his attention to the band’s most enduring album. London Calling was formulated at a critical juncture in the band’s career. The group was coming off an unfocused sophomore album and adrift without any formal management after a split with their Svengali, Bernie Rhodes. Drawing on sources that ranged through rockabilly, R&B, blues, funk, reggae and jazz, band members Joe Strummer, Mick Jones, Paul Simonon and Topper Headon thrashed up enough material for a two-LP set during protracted rehearsals at London’s Vanilla rehearsal space. After a relatively brisk setup surveying the album’s oft-arduous sessions with unpredictable producer Guy Stevens, Gray brings the narrative a grinding halt with 200 minutiae-filled pages devoted to the set’s individual tracks. No fact is deemed insignificant enough to be omitted, and no research is left unutilized, no matter how irrelevant or expendable. The book becomes mired in a series of digressions about such subjects as English rockabilly star Vince Taylor, American R&B rocker Bo Diddley and his eponymous beat, Jamaican “rude boy” songs, England’s Two-Tone ska-punk movement, the Spanish Civil War, Coca-Cola, actor Montgomery Clift, etc. While some of the material has a bearing on the record at hand, it is left unsifted. Worse, Gray ignores the relationship between the Clash’s original “Jimmy Jazz” and its inspiration “Staggerlee,” a provocative connection that goes unmentioned until a later passage about a quotation from the reggae cover “Wrong ’Em Boyo.” Like his track-by-track explication, a chapter devoted to the imagery and marketing of London Calling—with an emphasis on the package’s iconic photo of Simonon smashing his bass—and a painfully attenuated charting of the band’s later history bog down in a sump of unedited detail.

Bloated and unfocused—for die-hard Clash fanatics only.

Pub Date: Oct. 1, 2010

ISBN: 978-1-59376-293-3

Page Count: 560

Publisher: Soft Skull Press

Review Posted Online: July 22, 2010

Kirkus Reviews Issue: Aug. 15, 2010

Did you like this book?

No Comments Yet

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?

IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Did you like this book?

No Comments Yet
more